Cats on Monday afternoon (2013/07/29)

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It is hot, so all of them are resting and eating under the shade….
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The Terror Live (2013) ☆☆1/2(2.5/4) : A thriller trapped on live

small_theterrorlive01 South Korean thriller film “The Terror Live” throws us straight into its deadly situation right from its opening scene, and it stays on this situation within its limited space from the beginning to the end. This is a familiar premise we have seen from many other thrillers including “Phone Booth”(2002) and “Buried”(2010), and the first half of “The Terror Live” does a fairly nice job of setting the story and the tension inside it. Too bad it loses its focus and eventually stumbles a lot during its second half while trying too hard and too much to my disappointment among its ruins.

At the beginning, it looks like another usual morning in Seoul to Yoon Yeong-hwa(Ha Jeong-woo), a former TV anchorman who was recently demoted from his TV news job for some reason and now has been running the morning radio show for a while. Not long after the show is started, he happens to receive a phone call from an anonymous guy, and this guy announces that he is going to blow up the Mapo Bridge, one of several bridges on the Han River of Seoul.

Yeong-hwa thinks the guy is joking, so he casually(and callously) dismisses this threat at first, but he soon comes to realize that this guy is not joking at all. After a few minutes, a sudden big explosion is heard from outside his broadcasting company building, and Yeong-hwa and others see the smoke from the Mapo bridge from the distance. It is later followed by another explosion, and several hostages are trapped on the disconnected part of the bridge which can be collapsed by itself – or blown up by another bomb planted in that part.

Although shocked by this terror incident just like others in the studio, Yeong-hwa quickly resumes his professional attitude while discerning the chance for his comeback from this terrifying situation. The bomber wants to talk with him on live while promising that he will turn himself to the police once his demand is fully accepted, and that is an offer Yeong-hwa cannot refuse. Rather than reporting it to the police first, he decides to promptly broadcast it as an exclusive scoop; his radio show studio is quickly turned into a TV news studio under his boss’ permission, and he is ready for his close-up.

small_theterrorlive05However, he quickly realizes that this is the bargain more perilous than he imagined – especially after the bomber notifies that Yeong-hwa should be really, really careful in front of the camera. Not only he has several big bombs ready to be detonated around the city, but also he has hidden other bombs inside the studio building, and the other TV anchor is injured when she tries to continue the talk with him instead of Yeong-hwa. The bomber has also planted a tiny bomb in Yeong-hwa’s earpiece; he must remain in the studio, he must continue the show no matter what happens, and, above all, he must persuade the government officials to accept the bomber’s demand.

The movie firmly sticks to its limited space for accumulating the suspense on the screen. The urgent circumstance outside the building is mainly shown through the TV monitors in the studio, and the movie generates several devastating moments even though we only observe them indirectly through the TV cameras. There are also several supporting characters in the studio telling Yeong-hwa what is going on and off the screen, and they give him both hope and desperation as he is kept pushed by them as well as the bomber. His boss only cares about higher viewing rating(he even orders Yeong-hwa to provoke the bomber to kill the hostages for the advantage of his company and the government), and the government officials see him as someone expendable while more focusing on saving their positions in this emergency, and it is not so surprising that Yeong-hwa comes to see himself trapped in more than one way as the time goes by.

The director/writer Kim Byeong-woo tries to imbue urgency and verisimilitude into his story with choppy editing and shaky handheld camera, but this does not work as well as he intended, and the result is too distracting at times. He moves the camera around his limited space too often while the flow inside his scenes is frequently disrupted by the inattentive editing style, and that made it harder for me to focus on the story or the circumstance inside it.

And the story itself is problematic because it considerably loses its momentum while stuffed with too many things including angry social comment and conventional character development during the second half. It becomes very confusing as a result, and I still cannot clearly understand the reason behind Yeong-hwa’s demotion or some shady deal outside the studio to make him into a potential scapegoat in the aftermath. The movie could have been improved a lot with the deletion of its several supporting characters and story elements, and I was particularly irritated by one minor supporting character, who behaves so stupidly during his scene that I even wondered whether he was secretly driven by death wish. The audiences around me correctly guessed what would happen and we were not so shocked by the inevitable consequence because, after all, he asked for it.

small_theterrorlive02And in case of the bomber…. well, he is pretty predictable during many moments despite his bag of tricks full of many shocks and awes. He kindly gives the information about not only his name but also his miserable life as an exploited victim of the heartless jungle called South Korean society, but you know he cannot be trusted if you are familiar with thriller films, for he is mostly presented through the voice from the other end of the line. After walking out of the screening room, I agreed with the other audiences that he could have chosen a better way of accomplishing his ultimate goal instead of stupidly wasting his little remaining time during the third act, and I concluded that he is a typical case of “The Third Act Syndrome”, which has made many clever/resourceful villains in thriller films incredibly dim around the ending.

The movie manages to end its situation with a disturbing punch to the audiences, but, unfortunately, it has already lost most of its suspense around that point, and I kept noticing lots of things which did not make sense. Let me tell you about one little but glaring visual error; during one shot shown through TV screen, you can see a taxi being leisurely driven alone on the street right next to a damaged building which can be collapsed at any moment. Seriously, who can possibly want to drive around that building at that point? And, above all, shouldn’t a certain unseen but important character be moved farther from the terror scene for his safety even if he is demanded to talk with the bomber on live? I don’t dare to reveal the identity of the actor providing the voice of the bomber, but I must say that his voice does not have enough menace or gravity even though this good actor tries his best with his thankless role.

“The Terror Live” is a passable thriller requiring more trimming and polishing despite its notable strong points. Although he does not have lots of things to do except looking pressured and conflicted in front of the camera, Ha Jong-woo gives a good central performance supporting the flawed plot he is stuck with, and the movie does have a few unexpected turns to surprise you. I appreciated how far the movie attempts to go in its limited space, but, in the end, it did not hold my attention or itself well in its shaky ground.

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Turbo (2013) ☆☆1/2(2.5/4) : Look, it’s a race car! No, it’s a speedy snail!

small -turbo04 This month at my local theater has been an interesting one to me for several reasons, and I must say I am particularly amused by the one resulted from an odd coincidence. In last week, I watched a South Korean film featuring a gorilla recruited to the major league baseball team, and now I have watched “Turbo”, an animation feature film about a snail dreaming of participating in the Indianapolis 500 car race. You may laugh about this, but the snail in question is indeed fast, and “Turbo” is a nice family animation film although the story itself could have been more creative and imaginative instead of being full of predictable turns, familiar clichés, and stock characters.

Its ever-hopeful hero is a standard underdog character right from his first appearance. Theo(voiced by Ryan Reynolds) is a tiny snail as slow as his fellow snails inhabiting in the small garden of a suburban home, but our dreamer snail never gives up his hope while immersing himself into the VHS footage of the Indianapolis 500 race every night. His hero is Guy Gagné (voiced by Bill Hader), a world-renowned race car driver who has won many awards as the leading champion of his field, and Theo wishes he will be as fast as Gagné someday though it still takes more 15 minutes for him to move about one meter at present.

Of course, Theo’s practical brother Chet(voiced by Paul Giamatti distinctively channeling his nerdy persona) thinks Theo wastes his time on the dream he will never fulfil, and he always tells his brother that he should concentrate more on their daily work at ‘the plant’. They and other snails spend most of their waking hours on harvesting the tomatoes in the garden, and all they have to do is just waiting on the stalks for the tomatoes to be ripened and then to be fallen to the ground. Although they do not have hands, they have an inventive way of slicing their harvested tomatoes before their meal time, and they also can make clapping sounds with their two eyes as shown during their routine meeting. That is nice, but I’d love to see how Theo can operate his personal TV and VHS player – how can he move the cassettes and insert them into the player, I wonder?

small-turbo02When it seems he will never realize his dream no matter how much he tries and he is about to give up his dream, Theo is accidentally thrown into the engine of one of those fancy vehicles from Fast and Furious movies, and, when the engine is boosted by nitrous oxide, Theo somehow gets a miraculous superpower instead of becoming a escargot barbecue. His body system is internally changed down to the molecular level(don’t ask me how that is biologically or chemically possible), and his body literally functions like a little sports car equipped with headlights, alarm, radio, and other things. Now he can run far, far faster than he ever did; when he speeds at more than 200-km/h, he looks like that fancy futuristic vehicle from “Tron”(1982) and its recent sequel as a long blue light streak is left behind him.

Renaming himself as ‘Turbo’, Theo soon draws the attention from not only other snails but also the human characters including Tito(voiced by Michael Peña), who also has his own dream to realize while working with his older brother Angelo(voiced by Luis Guzmán) in their humble taco shop. Tito is determined to use Theo for promoting their shop and neighboring shops, but Angelo is as jaded and realistic as Chet is, and you can clearly see the parallels between two duos here even if the story does not emphasize them blatantly.

Although I think there are more efficient and economical ways to present Theo’s superpower and accordingly help Angelo and Tito’s shop, Tito goes to the Indianapolis 500 race along with his friends who have supported him and his private snail race(I’m not kidding), and Theo and Chet are accompanied by a group of street-smart snails who can do lots of exciting things even though they cannot run as fast as Theo. They can do wire action like daredevil stunt guys, and we later see them riding the certain animals Theo and Chet never want to come across in broad daylight.

turbo05Voiced by Samuel L. Jackson, Snoop Dog, Maya Rudolph, and Ben Schwartz, and Mike Bell, these snail gangs provide most of the jokes and gags in the story as the colorful supporting characters. I was amused by their various shell decorations which make them look like small race car models(these decorations are provided by one of Tito’s friends), and their brash attitude is a good contrast to the neurotic personality of Chet, who is mistaken for a female snail at one point(Snails are hermaphrodite in fact, but never mind).

During the second half of the story, we get the unbelievable sight of Theo getting a chance to compete in the Indianapolis 500(Chet is understandably outraged: “Has the whole world lost its mind!?”). I do not think the people can be that serious or enthusiastic about a speedy snail, but Theo quickly becomes a media star as soon as his superpower is exposed to the social media, and, this is not much of a spoiler, he is finally placed on the start point along with other race car drivers including Gagné, who turns out to be not as inspiring as Theo thought. Seriously, I do not think the camera can spot a small snail amid the big speeding vehicles on the racetrack so clearly like that, but this is the world of animation where anything can happen and can be accepted, so maybe I should not complain about that from the beginning.

I enjoyed watching “Turbo” – to some degrees. Like any usual blockbuster animation features nowadays, it is bright and colorful to watch and enjoy, and I saw the kids having an entertaining time during the screening in last evening. As an adult audience, I was tickled its straight approach for pushing its outrageous premise and appreciated its sly humor behind it, but I still think the movie could have more crazy fun with that.

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The Wolverine (2013) ☆☆1/2(2.5/4) : Wolverine Lost in Translation

small_wolverine01“The Wolverine” is the sixth film of the X-men series, which has moved around a lot since its first successful three films. It went back to the origin of one of its popular characters in “X-Men Origins: Wolverine”(2009), and then it went back again with another prequel “X-Men: First Class”(2011), which will soon be followed by its next story in 2014, and now the series goes forward with “The Wolverine” and the next possible sequel hinted during its end credit.

Because of such a long, complicated path the series has taken, I am sure several minor and major things in the movie will baffle you unless you have watched previous films, so let me tell you a bit about the background history of our beefy invincible mutant hero Logan(Hugh Jackman), a.k.a Wolverine. As told in “X-Men Origins: Wolverine”, he has been an immortal entity with remarkable self-healing ability and mighty adamantium skeleton and claws, and that makes him an ideal warrior/soldier for many wars, but he becomes tired of his violent history and has been leading a hermit life in the wilderness of Alaska since the big climatic battle in “X-men: The Last Stand”(2006). When we see him waking up from his another dream about his lost love Jean Greay(Fanke Janssen), he looks as shabby as when Jackman played Jean Valjean in “Les Misérable”(2012), but he is still a formidable figure to a big grizzly bear, his only neighbour in the mountain forest, and the redneck hunters in a nearby town.

During one rough night at the town bar, he is approached by a mysterious Japanese girl named Yukio(Rila Fukushima), a clairvoyant who mainly can see how people will die in the future. She comes to Logan at the request of her guardian Yashida(Haruhiko Yamanouchi), a dying Japanese tycoon who encountered Logan in Nagasaki on that fateful day of August, 1945 as shown in the opening scene. After luckily saved by Logan during the atomic bomb blast, Yashida became one of the most powerful industrialists in Japan, and now he wants to meet Logan again before he dies as a wealthy man.

wolverine03Logan is reluctant at first, but he comes to accept the request after persuaded by Yukio, so he is instantly flown to Tokyo with her by Yashida’s private jet. When he faces Yashida on his deathbed, Yashida gives him a tempting offer as a favor; through his advanced medical technology, Logan can be released from his burdensome immortality and then can live as a mortal man as he has wanted while that ability of his will be transferred to Yashida, who wants it more than ever as a man who has few days to live.

Maybe because he is reminded of that famous phrase “Be careful for what you wish – you might get it”, Logan rejects Yashida’s offer despite his long yearning for mortality, but he eventually gets it anyway as he is hurled into the center of some dangerous intrigue inside Yashida’s family business, and there are many suspicious characters including 1) Yashida’s private doctor who is literally venomous as she looks, 2) a shady Ninja clan still loyal to Yashida even after his funeral, 3) Yashida’s aggressive son Shingen(Hiroyuki Sanada) who has been pissed about his father for good reasons, and 4) a group of Yakuza gangs hired to kidnap Mariko(Tao Okamoto), Yashida’s dear granddaughter and Yukio’s close friend. I am sure they can fill more than one Edogawa Rampo’s novel.

While trying to protect Mariko from the Yakuza gangs during their ambush at the family funeral, Logan finds himself far more vulnerable than ever when he discovers that he somehow happens to lose some of his ability(It will not take more than a minute to guess the reason, by the way). His adamantinum bone structure is not changed and he still has his metal claws inside his hands, but he can be seriously injured just like normal people; at one point, he collapses due to excessive hemorrhage, which is something he has never experienced before.

wolverine04This turns out to be more or less than a convenient plot device in the end, and the story does not delve deep into this potentially intriguing change, but it certainly makes the action sequences in the movie more thrilling and interesting because of the newly gained vulnerability of its hero. One of the major highlights in the movie is the exciting action sequence frantically unfolded above the bullet train departing Tokyo, and this preposterous action sequence really looks perilous because we can sense that Logan as well as bad guys desperately cling to the roof amid CGIs rapidly passing by them.

The movie also gets some time to rest as Logan and Mariko hides in her family house in Nagasaki for a while. Although the result is not entirely successful due to the rather flat depiction of the budding romantic relationship between them, Logan’s position as a foreign visitor in a strange world provides humor to the story at times, and Hugh Jackman ably handles several humorous moments in the movie while admirably dedicating himself to the brooding intensity and pumping vascularity of his character. Watching Logan facing the language and culture barrier in Tokyo, I wrote this in my mental note with amusement: Wolverine Lost in Translation.

It is disappointing that the movie loses its way during its shaky and murky third act and plunges into the bland CGI action sequence featuring a giant silver samurai robot, which looks as uninteresting as it looked in the trailer. I left the screening room with exhaustion instead of exhilaration at last night as a consequence, but “The Wolverine” is surely improvement over tedious “X-Men Origins: Wolverine”, and the director James Mangold gives us a fair amount of entertainment in this flawed but slick blockbuster product while making a good use of the locations in the film. Although I have an increasing feeling that this is a just big teaser for the next X-men film to come especially after watching a surprise scene during the end credits, I enjoyed its style and looks, and I am rather glad that it is not as bad as I worried at least.

Sidenote: The movie is also shown in 3D, but never mind, folks. As some of you know, 3D does not help much especially in case of action films.

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The Place Beyond the Pines (2012) ☆☆☆(3/4) : Three life stories in Schenectady, NY

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 “The Place Beyond the Pines” attempts to present us three life stories together in its intimate and wide approach. While not all of its elements work well and its last act is relatively unsatisfying, it is an engaging drama about the flawed characters struggling to do right things but causing more unhappiness in and beyond their lives. They wish to be happy, and they also care about others around themselves, but their actions only resonate into more regret and desolation as a result – and the consequences return in a full circle like karma.

The first story is about Luke Glanton(Ryan Gosling), who has worked as a skillful stunt motorcyclist of traveling troupe at state fairs for years. He is not a settler type, and he has probably never thought about having a family, but he begins to think seriously about that possibility when he happens to meet his ex-girlfriend Romina(Eva Mendes) again in Schenectady, New York(The title of the movie is derived from the English translation of the name of the city, a Mohawk word for “place beyond the pine plains”). He comes to know that she was pregnant when he left her for another state fair, so he decides to do something for his young infant son as his father.

While his intention is sincere, he is not so wise in his clumsy attempt. He promptly quits his motorcycle stunt job, but he has no particular plan right now for how he can help Romina and his son or how he can support himself. Compared to Romania’s current boyfriend Kofi(Mahershala Ali), he has virtually nothing to give to them. Romina finds herself drawn to Luke as before, but we can sense that this practical woman will eventually do what is best for her and her son even if there is a chance to live with Luke.

theplacebeyondthepines04While trying to find a way to get money for Romina and his son, Luke gets involved with Robin(Ben Mendelsohn), a shabby local auto mechanic who provides him a place to stay and proposes a criminal partnership to him. Luke’s motorcycling skill is a crucial factor in their bank robbery plan, and the director/co-writer Derek Cianfrance, who made a terrific debut with his melancholic romance film “Blue Valentine”(2010), shows us that he is good at making competent action sequences. During one long sequence, his handheld camera mostly stays on one vehicle and only looks at Luke on his motorcycle from the distance, but its extended shot fills this sequence with realistic urgency even without busy editing, and then the movie eventually arrives at a fateful moment which will cast a shadow on the lives of most of its main characters.

The movie also focuses on Officer Avery Cross(Bradley Cooper), a young cop who finally gets an opportunity to move up his career through one unfortunate shootout incident. While feeling guilty about what he done, he later faces another problem which will be hazardous to not only his career but also his life, and he becomes conflicted about what he should do because not many people can be trusted at his workplace.

While this part is progressed in a rather predictable direction with Ray Liotta’s your average menacing corrupt cop as one of its supporting character, Bradley Cooper’s performance is compelling enough to hold our attention as a policeman who struggles to pull himself out of one personal crisis and then finds himself in a bigger professional crisis. Cooper, who previously showed us his unexpected side through his stellar Oscar-nominated turn in “Silver Lining Playbook”(2012), confirms here again that he is too good to be wasted in disposable films like “The Hangover Part III”(2013), and his complex performance works as a good counterpart to Ryan Gosling’s equally effective performance. When he makes a right decision at one point, Avery is not just propelled by his professional conscience – he is also driven by his personal ambition to live up to his famous father’s reputation, and that is why he is more than willing to risk everything in his life while making sure that he will get exactly what he wants.

theplacebeyondthepines02The other two main characters in the movie are two high school boys who have never met each other before. AJ(Emory Cohen) wants to live with his politician father who is currently busy with his campaign for the state attorney general election, and he gets his wish after his mother persuades his dad, but he is no help to his dad’s campaign or his life. This troublesome kid gets arrested on the street not long after he moves to his father’s house, and that puts more distance between father and son.

At the local high school he is transferred to, he gets involved with a boy named Jason(Dane DeHaan), who also has a serious daddy issue. Although his mother and his stepfather is generous to him in spite of his constant troubles with drugs, he is still an unhappy and sullen teenager wishing to know more about his biological father he vaguely knows. On one day, he gets his wish, and there is some surprise for him.

Their story is relatively less engaging and feels more dragged compared to the other two stories mainly due to underdeveloped characterization, flawed storytelling and problematic acting(I hope it is not the young actors’ fault), but the movie has good things in its ambitious story arc, and I appreciated its small character moments supported by the good performances Cianfrance drew from his cast members. The movie feels bleak and desperate as observing the characters’ frustration and desperation in their daily life, but it also has several tiny warm moments such as when Luke and Romina have a little private time together in his trailer or when Jason’s stepfather, a decent and sensible man, has a personal talk alone with his stepson.

While watching their stories unfolded in Schenectady, I was somehow reminded of Charlie Kaufman’s “Synecdoche, New York”(2008), which also has several scenes in Schenectady. “The Place Beyond the Pines” is less successful than that profound masterpiece in telling how life can be messy and miserable despite good intentions through its sad story, but it is a good drama on the whole illuminating how much we can affect ourselves and others through our choices and subsequent actions. Now I am reminded of one memorable line from “Synecdoche, New York”: “There are nearly thirteen million people in the world. None of those people is an extra. They’re all the leads of their own stories. They have to be given their due.”

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Compliance (2012) ☆☆☆(3/4) : Banality of Evil at a fast food restaurant

small_compliance02“Compliance” is a small one-situation drama which is simultaneously absurd, outrageous, horrifying, and disturbing in its cold depiction of dark human behaviors we are quite capable of if we are at the right place and the right time. It is really unbelievable and infuriating that the people in the film can be stupidly obedient like that, but, believe or not, the movie is inspired by a real-life incident as silly and shocking as its story, and you will be chilled when the movie tells you this is not actually the only case reported to the police.

The movie presents you one horrible day to be remembered forever by everyone who works at one small fast food restaurant in some American city. At the beginning of the day, it looks like any other days to them except one major problem; the refrigerator door of the storage room was left opened during the last night, so meat and other ingredients should be thrown away as a result. Not only it costs them around $1,500 of damage, but also they will have to deal with the resulting shortage problem in their stock all day long, and Sandra(Ann Dowd), the manager of the restaurant, is a little more tense than usual because the restaurant can be checked at any moment by the company.

Anyway, with some more cautions on preparing burgers and other dishes on the menu, everything seems to be going fine during the first hours of their work time, and then there comes a call for Sandra. The man identifying himself as ‘Officer Daniels’ tells her that one of the restaurant customers reported a theft case to the police, and he asks whether there is a young, blonde female employer working at the restaurant because, according to him, this unidentified customer claimed that she is the one who stole her purse.

compliance06While baffled by this sudden call, Sandra does as he requests and demands. There is indeed a female employee matching with the description given by him, and Sandra takes her to the office. Becky(Dreama Walker) denies the charge, but, like Sandra, she follows his instructions because, well, he says he is a police officer. When ‘Officer Daniels’ demands the strip search on her at one point, Sandra, Becky, and other female employee willingly follow his order, and he tells Sandra to wait and keep an eye on Becky for some hours because he is busy with handling other aspects of this case at present.

So far, their situation looks simple and harmless, but then we see how it becomes more preposterous and more insidious. As everyone except her is busy with handling the orders from the customers outside, Becky keeps being held inside the office, and lots of very unpleasant things happen to her step by step as ‘Officer Daniels’ demands the people watching over her to do several unsavory things as a part of his investigation. Most of them find his demands weird and repulsive, but they do not question his authority at all even though they have doubts. Becky’s co-worker/friend Kevin(Philip Ettinger) senses there is something wrong about this situation and later expresses his doubts, but, like other employees, he does not want to get into a trouble he does not understand clearly, so he rather chooses a passive defiance when ‘Officer Daniels’ keeps pressuring Kevin to corporate with the investigation. In case of other workers, they are all occupied with their work, and a trouble with the authorities is the last thing they want during their work time. Besides, to everyone, it looks like a minor trouble to be resolved within few hours.

That is what Sandra and Becky think even after the day is nearly over – and even after several twisted things have already committed on poor Becky in that stuffy room. When someone finally expresses an angry and sensible response to what is going on, everyone suddenly faces its atrocity, and they are at a loss about the irreversible damage caused by the stupidity of everyone manipulated by ‘Officer Daniels’.

compliance04I virtually described the whole plot of the movie so far, but I do not think I did not spoil your viewing of the movie because the strength of the movie lies on its cool conviction in depicting the process of this incredulous situation to the devastating outcome. Around its second act, we directly encounters ‘Officer Daniels’(Pat Healy) on the other end of the line, and we are aghast at his twisted personality as he gives a believable impression of authority to his targets through his willy carrot and stick approach. While aggressively intimidating his targets through our usual fear of law enforcement, he also slyly persuades them to do as he says. He keeps confirming to them his full responsibility on this situation, and he confidently answers to any doubtful question thrown to him as carrying out his sick plan.

Watching this despicable guy meticulously planning and recording his ‘experiment’ at his cozy home, I could not help but think of that infamous Milgram Experiment in 1963. The subjects in that experiment were ordered to give an ‘electronic shock’ to a guy in front of them, and the result alarmingly showed that most of the subjects were quite obedient even when they knew that the voltage level was increased higher and higher. At some point, they began to willingly follow the order without questioning its unethical aspect, and they never seriously thought about their action because of the authority backing and pushing them, although, like the characters in the movie, they later realized how wrong they were and how easily they were manipulated.

“Compliance” is uncomfortable and unpleasant to watch, but this is a thought-provoking film with disturbing power. The director/screenplay writer Craig Zobel keeps a cool, detached approach to his dark material throughout its running time, and his good cast gives a natural ensemble performance to gives us the realistic feeling of their characters’ mundane daily life. You may be annoyed by their stupidity and disgusted by the banality of their evil while watching the movie, but can you say you mind will not be susceptible to that kind of manipulation? And can you defy against authority if it does not feel right to you?

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A Late Quartet (2012) ☆☆☆(3/4) : A quartet at its late turning point

small_alatequartet “A Late Quartet” plays a familiar life drama in a deep, somber tone with its reliable instruments. Using one famous classic piece as the metaphor of life, the movie observes the harmony and disharmony between the human characters who have played together for many years, and there is subtle tension beneath its calm, steady performance as the characters muse on themselves and their personal/professional life after encountering one bad news. They slowly begin to wonder: is this the end for their long collaboration? Or can they continue without change?

As winter settles on New York, the new season is about to begin for the members of the Fugue Quartet, and we are introduced to its four members one by one. Peter Mitchell(Christopher Walken) is a cellist who has been an elderly mentor/father figure to other members; he lost his dear wife in last year, but he is ready for the new season like an old trouper. Juliette Gelbart(Catherine Keener) is a viola player, and she also misses Peter’s wife because Peter and his wife had literally been the step-parents to her since Juliette’s mother died. Juliette is married to Robert Gelbart(Philip Seymour Hoffman), the second violinist, and they have a daughter named Alexandra(Imogen Poots), who now becomes a young aspiring musician just like her parents were. Daniel Lerner(Mark Ivanir), the first violinist, is a fastidious perfectionist dedicated to his art, and we see his score book full of notes and instructions for his performance as he starts his routine practice.

 They founded their quartet 25 years ago, and, though it was just one small step at the Julliard School at the beginning, but now they become a world-renowned quartet through their first-class performance, and they all live in comfortable and luxurious environment thanks to their following success. Their schedule is already filled with many appointments around the world, so they will be quite busy while doing routine practices and adjusting their hectic schedule if necessary.

But things will not be the same as usual in this time. Peter is diagnosed with Parkinson’s disease, and that means he will retire sooner or later. When he breaks this news to other members, they are naturally concerned about him. Peter is not seriously ill yet and his illness can be slowed down by medications, so maybe they do not need to worry about it yet, but it is apparent to everyone that the change caused by Peter’s illness can be inevitable; he will probably not be around them in the next season, if not this season.

small_alatequartet05As an old, wise man, Peter accepts his approaching illness with resigned attitude. Disturbed by his news, other members think or discuss about how they should handle this unexpected situation, and, not so surprisingly, we see the emergence of old feelings involved with bruised ego, insecurity, jealousy, and other things they have kept inside themselves for playing as one group together. Peter has been the rock they can hold on together in spite of their differences, but now we see more discords between them while he is seriously considering retirement.

The major conflict comes from Robert’s wish to take the seat of the first violinist. Everyone agrees that he is superlative as the second violinist backing up Daniel’s lead performance, but he is not happy with having been No.2 for more than 20 years, and he thinks he should get at least one chance of being the first violinist while they adjust to the upcoming change in their quartet. He becomes angry and petty when his wife does not agree with him, and that leads to one big irreversible mistake at one night.

In case of Daniel, who has been always strict and precise as a professional player, he finds himself becoming a prisoner of passion while spending some time with Alexandra as her temporary mentor. Their feelings are mutual indeed, but it goes without saying that their relationship is pretty inappropriate considering his close relationship with Alexandra’s parents, and that consequently throws another discord into the teamwork in the quartet.

small_alatequartet02The screenplay by the director Yaron Zilberman and his co-writer Seth Grossman(he is credited as Christopher Ford in the movie) is uneven at times, but it constantly provides small but sensitive moments between its well-drawn characters as their lives keep going on, and the movie also gives several interesting sights in their professional lives as focusing on their small, insulated urban world in Manhattan.

Such a small chamber drama like this movie always depends on the talent of its cast, and it does have fabulous actors. Christopher Walken, who has always been an engaging actor in his movies, effortlessly grips our attention with his weary but distinctive face, and he has a wonderful moment when his character teaches his students about what is really important in their performances. The camera just looks at him talking, but we cannot help but listen to him as he quietly and sincerely tells them his personal episode with Pablo Casals.

Philip Seymour Hoffman and Catherine Keener, who were good in “Capote”(2005), are also well-cast as a frustrated man and his less-than-perfect wife. Hoffman is masterful in presenting his character’s clumsy passive-aggressive attitude, and Keener is especially good during the hurtful scene where Juliette faces the fact that she has not been a good mother to her resentful daughter. Mark Ivanir is less notable compared to his co-actors, but he holds his place among them with his solid performance, and he brings low-key but smoldering passion to his scenes with Imogen Poots, who also has her own scenes to shine.

I watched “A Late Quartet” early in this year, and I liked it mainly for the performances inside it. During the second viewing at last night, I found its final scene more poignant because my late friend Roger Ebert was no longer around us. Its centerpiece, Beethoven String Quartet No.14 in C sharp minor, Op.131, is played with no pause between its seven movements like our life keeps being continued, but there is always the beginning and the end to every performance, and now Roger’s performance is over. Did he see himself from Walken delivering the final words in the film? I have no idea, but I am glad that his legacy has been continued in spite of some changes and conflicts in his website since his death. Roger, life goes on as you expected – and we are moving on as you hoped.

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Camille Rewinds (2012) ☆☆☆(3/4) : Rewound back to her high school days

small_camillerewinds03I become 30 in this year, and now I cannot be described as ‘a lad’ any more although being 60 is not very old in these days. Whenever I feel like being young, my chubby body sternly reminds me of that harsh truth at the campus gym, and that is probably why I frequently look back on 13 years of my messy campus life at Korean Advanced Institute of Science and technology. While being on a morning shuttle bus to the campus, I usually reflect on how much I have messed up during last 13 years, and then I wonder whether I could have made wiser decisions to make my life better.

When I saw the silent, melancholic face of Camille Vaillant(Noémie Lvovsky), the heroine of a warm, bittersweet French comedy film “Camille Rewinds”, I could instantly sense what she felt inside her mind because of my similar situation. Although mine is brighter compared to hers, I am familiar with that kind of frustration and desperation behind her tired face, and I can easily imagine her saying to herself: “how was everything in my life screwed up like that?”

We all have lots of frustration and disappointment in our life, and you may sympathize with Camille’s life problems even if you find her not so likable at the beginning. While her acting career is going nowhere(her latest job is getting her throat slashed as a victim in some cheap thriller film), she is also going through a difficult time in her personal life; her husband Éric(Samir Guesmi), who married her when they were just high school kids 25 years ago, has left her for some young girl, and, though they will be soon divorced, they are still bitter to each other when he comes to her apartment where he used to live with her.

It is New Year’s Eve, so Camille, who is on the verge of becoming a high-functioning alcoholic and lonely cat lady, goes to the party held at the apartment belonging to one of her high school friends. As she hangs around with her dear old friends, she becomes a little more cheerful than before thanks to music and alcohol, and the new year is approaching to her minute by minute as she keeps emptying glasses and bottles all night long.

small_camillerewinds02In the next morning, she wakes up to find herself in the hospital, but, to her confusion, everyone treats her as if she were a teenage girl, and then, to her surprise, her parents come to the hospital to pick her up while looking exactly same as they were 25 years ago. Camille gradually grasps this baffling situation; probably because of her strange encounter with an odd watchmaker(Jean-Pierre Léaud) before the party, she is transferred back to her high school days during the 1980s, and she becomes a high school student again although she looks same as before in our view.

Now a certain movie will instantly come to your mind if you have seen it. Yes, “Camille Rewinds” is clearly inspired by Francis Ford Coppola’s equally charming fantasy comedy film “Peggy Sue Got Married”(1986), and, like Coppola’s film, the movie draws lots of laughs as Camille tries to adjust herself to this sudden change. She manages to look normal to others, but she is still an older woman trapped inside adolescent body; she cannot help but observe her high school life as an adult looking over her past and, that certainly baffles others around her at times.

As she gets accustomed to her rewound life, she finds herself becoming happier and livelier. Although she knows that her gentle mother, played by Yolande Moreau, will die within 2 months and learns that there is nothing she can do to change her mother’s fate, she is willing to spend little but precious time with her parents at their cozy home whenever she can. With her colorful friends, she experiences their carefree moments again, and the songs from the 1980s are naturally played on the soundtrack as they have a fun together. The director/co-writer/lead actress Noémie Lvovsky subtly displays the gradual rejuvenation inside Camille through her appealing comic performance, and she does look younger than before around the point when we see Camille lose herself with her friends during a night party. Like Lvonvsky, her co-performers play both old and young version of their characters, and they play along with each other well on the screen while making us forget about their ages for a while.

small_camillerewinds05Meanwhile, Camille finds herself attracted again to younger Éric. As a woman who once loved him, she remembers how he was, but she is also painfully aware of how their long relationship will be terminated in the end. She avoids him, and she rejects him, but she cannot fool Éric and others – especially when She and Éric happen to participate together in the school play under an overacting drama teacher(Micha Lescot). The things become more complicated later when her older mind is attracted to someone to whom she had never paid any attention previously – and a certain fateful incident finally happens to Camille and Éric.

“Camille Rewinds” is a little comedy as enjoyable and smart as its supposed inspiration. While looking endearingly at the past, it also touchingly recognizes that life is a sort of one-way road to all of us. I once thought about whether I can do better if I go back to 10 years ago right now, but I think I will do no better than Camille; I will probably find myself again on the same problematic path I have been on during last 13 years, even though I am a bit wiser than before.

 There is poignancy in the conclusion at which Camille arrives through her unbelievable personal journey, and my mind looked back on my bumpy life again while watching it. I have regretted about many things in my past, but I am grateful to my miserable life for good things and bad things, and that is why I was touched by a lesson learned by Camille in the end. It is never late to wake up and move forward – while appreciating some good things in your past.

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Mr. Go (2013) ☆☆1/2(2.5/4) : A gorilla recruited to baseball (no kidding)

small_mrgo05Unless there is a more admirable technical achievement in the South Korean Film industry in this year, the special effect in new South Korean film “Mr. Go” deserves all the special effect awards it will receive in the local film award ceremonies. Although CGIs are now pretty mundane things to us nowadays thanks to lots of blockbuster films we are showered with every summer, the people behind “Mr. Go” did a nice job of making their CGI gorillas look convincing in every frame, and I had no problem with appreciating their commendable achievement because I believed their existence on the screen. These gorillas in the film are good CGI actors, and their skin, furs, facial expressions, and movements do show the immense efforts put behind the scenes.

But the premise of its story is rather shaky to say the least. Seriously, can the audiences at the stadium really be that enthusiastic about a gorilla playing baseball? Can the characters in the film really be that serious about this big, mountainous gorilla participating in the baseball game along with human players? And how do the human players think about this outrageous recruitment which makes their game look more like a circus?

Anyway, the movie pushes its questionable premise through the respective motives of its two main characters. Wei Wei(Jiao Xu), a 15-year-old circus ringmaster of a failing troupe in China, has been struggling to manage her troupe after her grandfather died during an earthquake incident, and we see her life story and daily struggle through the documentary footage sequence at the beginning. Although she is young, this plucky girl ably takes care of many things in her troupe including educating young kid members, and these small kids are good help to her whenever a local loan shark Lin Xiaogang(Kim Hee-won) comes to collect her grandfather’s huge gambling debt.

small_mrgo06Xiaogang suggests that she should sell her male gorilla Ling Ling, who has been trained to play baseball thanks to Wei Wei’s grandfather’s enthusiasm toward baseball. Wei Wei is absolutely against that because she and Ling Ling have been close to each other since she was a baby, and Xiaogang, who is rather a dim comic relief than an evil villain, always leaves without money in his pocket. I must say this is the first time when I saw a loan shark in the movie making a tearful plea to his debtor to pay him the money as soon as possible.

Wei Wei is determined to find a way to get the money for paying the debt and galvanizing her troupe, and an opportunistic South Korean sports agent Seong Choo-soo(Seong Dong-il) approaches to her with a proposal too good to refuse; he will take Wei Wei and Ling Ling to South Korea, and then Ling Ling will be a popular baseball player in the South Korean major league. When Ling Ling is traded to the Japanese major league after presenting his talent in several big games, she will get the money, and so will he.

Now I can feel your eyeballs rolling in disbelief, but you may admire how the movie tries to keep its attitude straight in front of its many outrageous aspects. Some influential figures in the South Korean baseball community are naturally outraged by this circus-like situation, but others stay on professional mode while as if it were the routine recruitment of a foreign player, and, rather than booing, the audiences at the stadium look fascinated and excited by the sight of a 600-pound gorilla at bat. Jackie Robinson would envy this gorilla if he watched this movie.

As expected, Ling Ling is a terrific hitter, and he hits the balls whenever he can, but the movie does not go into details about how the game can be possibly played with him during nine periods excepts showing the montage of Ling Ling hitting balls to the sky, and I begin to wonder about how the other baseball teams come to decide to play against such an unbeatable match. As a matter of fact, the major action scenes in the movie are not involved much with baseball, and we later have two dueling gorillas as the climax after another gorilla, which incidentally also belongs to Wei Wei, is recruited by the other team as a pitcher(I felt really sorry for his catcher for the reason you can guess).

small_mrgo03By the way, does Ling Ling understand anything happening around him? And does he care about, uh, his team? Although we see how Ling Ling and Wei Wei communicate with each other inside and outside the field, and they are still an animal and his master, and I remember that famous sentence written by W.G. Sebald, which was sometimes quoted by my late friend Roger Ebert in his reviews: “Men and animals regard each other across a gulf of mutual incomprehension.”

The movie also feels disjointed in case of story and characters. The human characters are mostly broad caricatures, and I did not care a lot about them. Even though we understand they really care about her gorilla, Wei Wei and Seong Choong-soo are actually doing a cruel thing to their gorilla for their mutual benefits, and the movie is almost on the verge of animal cruelty around its third act. The movie struggles to make dramatic points, but it seems it does not know when it has to hit them, so Jiao Xu remains stranded at times without any clear direction while we are reminded that our poor noble beast is forced to do lots of things by the plot despite its less-than-ideal physical condition. Thank God he is a CGI creature.

The actors try their best, and the best thing about their performances is that they always look believable with their CGI partner on the screen. Jiao Xu reportedly said she did not understand her character well and that is clearly shown at several points, but she acquits herself well while going between Chinese and Korean dialogues with little awkwardness. Seong Dong-il has an amusing scene when his character has a drinking time with Ling Ling at his expensive home, and Jô Odagiri is intentionally silly in his juicy cameo appearance.

“Mr. Go” is based on a popular South Korean comic book series written during the 1980s, and maybe the comic book version is more convincing in its realm of fantasy. Like in his previous works “200 Pounds Beauty”(2006) and “Take Off”(2009), the director Kim Young-hwa made an effective use of the special effects here, and the movie is not as bad as I worried – but it could have been better if more attention had been paid to story and character development.

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Pluto (2012) ☆☆☆1/2(3.5/4) : They are all expendable

small_pluto01While I went through the South Korean education system, exam scores had been always important to me and others. My teachers and parents always emphasized that I should get scores as high as possible in every exam, and I was driven to get the highest score in mid-term and final exams just like other young South Korean students. Getting low score was public humiliation, and my parents sometimes whipped or scolded me for that. That was why I was always nervous about exams even though I always prepared myself everyday while doing many homeworks and other things demanded to me.

While I was watching South Korean film “Pluto” during this morning, that depressing memory of my adolescent years haunted me again, and it saddened me more because this darkly tragic adolescent melodrama bitterly told me that nothing has changed much in the South Korean education system. Young students are still being pushed hard into cutthroat competition even before entering high school, and I sometimes hear about students committing suicide from the media every year. That was why I was not so shocked by the serial suicide incidents at my campus several years ago; always driven to competition for higher scores and higher rank every day, some of them are bound to be broken, and, sadly, we all accept such consequence while keeping competing with each other as usual.

The movie suggests a darker possibility through its story which is started with a shocking murder incident. Yoo-jin(Seong Joon), who would graduate with the highest distinction and then enroll in Seoul University(It is No.1 university in South Korea, by the way), is found murdered at the mound behind his high school, and one of Yoo-jin’s study group members is taken by the detectives investigating the case because other study group members point him out as the culprit through their testimonies.

pluto04His name is Joon(Lee Da-wit, you probably remember his notable performances in “Poetry”(2010) and “Front Line”(2011)), and he looks rather calm while interrogated by the detectives at the police station. Although he cannot give his alibi immediately, he shrewdly points out that a certain evidence found at the crime scene cannot link him with the murder though it belongs to him, and this bright kid also knows that the cops cannot detain him for more than 48 hours according to the law. The cops have no choice but release Joon although they are a little suspicious about him.

Joon does have something to hide from them, and now I should be more careful about describing the thriller plot of the film. As Joon begins the vengeful execution of his secret plan step by step, the movie also slowly reveals what happened and how everything was led to the murder case as a result through several flashback sequences, and what will be revealed in front of us is not a pretty picture at all. We see how insane and heinous kids can be for maintaining their coveted position and solidifying their future status, and some of what they committed are not just minor misdemeanors.

To Joon, everything looked fine in the beginning. Although his family is not affluent and his only family member is his mother struggling to make ends meet every day, he was luckily transferred to the school of high prestige, and he was happy to be its student. He believes he will fulfil his dream of being an astronomer through this school, and he is willing to study hard if that is required.

He meets Yoo-jin as his roommate, and Joon comes to know about Yoo-jin and his famous study group members. They have remained at the rank of Top 10 while one or two students at the bottom are replaced at times, and every other students in the school is hoping to be included in this prestigious inner circle. They always get the special treatments from the school including a more comfortable study room, and their current score ranks at the school definitely guarantee the tickets to several famous universities, which in turn guarantee promising adult life in the future.

small_pluto03For getting that chance, everyone in the school except these inner circle members is desperate whenever there is an exam. They are all excellent students, but even one problem in exam sheet can seriously affect their ranks, and we see students following after their teacher just for getting extra 1 or 2 points. Nevertheless, the overall rank is not changed much, and Yoo-jin and his friends are usually, if not always, the ones at the top.

Even though he was not treated well by them, Joon wants to be accepted into Yoo-jin’s circle. Although Soo-jin(Kim Kkobbi), a female student sympathetic to him and disdainful of Yoo-jin’s study group, advises him not to care about that, he still desires for becoming one of them, and he quickly discovers that he is willing to do literally anything for them even when he faces the cruelty behind their exemplary appearance.

Inspired by what she witnessed during her teacher career, the director/writer Shin Su-won, who won Canal+ Award at the Cannes Film Festival for her short film “Circle Line”(2012) in last year and recently won Crystal Bear Award at the Berlin International Film Festival for this film, made a powerful film both chilling and harrowing in its alarming depiction of the dark side hidden beneath South Korean education system. While mainly focusing on its adolescent characters, the movie indirectly points out how their world has shaped some of them into such cruel, selfish kids through a few adult supporting characters. The principle ignores one of their serious crimes because it can tarnish the school’s reputation, and he is satisfied as long as they study hard and get higher score. Their affluent parents will not mind about anything as long as they remain at the top, and they use every resource they have to secure their dear kids’ position at the school. It is no coincidence that Yoo-jin and his friends are all from rich/affluent family, and, as a poor kid, Joon is painfully reminded of that several times.

small_pluto06Also effectively working as a thriller as two storylines converge, the movie is supported well by its good cast. As the lonely hero who pays more than he imagined for his wish, Lee Da-wit gives a quiet but strong lead performance, and Seong Joon is also good as a cold teenager who turns out to have a heart to our surprise. Kim Kkobbi, who was wonderful in “Breathless”(2008), is likable as a sole warm spot of the story, and Cho Seong-ha, who previously appeared in another sad S Korean adolescent drama “Bleak Night”(2010), has a small but crucial part in the story as an understanding and reasonable cop investigating the case.

Around the end of the story, we find that some characters are more pitiful while other characters are more despicable, and, as the movie tells you in one small acerbic moment around its cathartic ending, they are all expendable in their system. You may wish this is just a fiction, but our reality in South Korea is not so far from what is shown in “Pluto” except its revenge plot, and, considering boiling anger and frustration reflected in this shattering film, I am glad about gun control in our country. Seriously, I really do not want to imagine what can possibly happen if guns are easily accessible to our troubled high school students who must be suffering even at this point. Believe me, they will do anything to be heard, even if that means they have to throw themselves into black hole.

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