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- Michael (2026) ☆☆(2/4): Bland, empty, and bad
- Commission (2025) ☆☆☆(3/4): Drawing for murder
- The Nonsense (2025) ☆☆☆(3/4): Can she believe?
- So Far So Close (2025) ☆☆1/2(2.5/4): The bar looks wonderful at least
- 2035: The Green Light (2025) ☆☆(2/4): An uneven mix between mockumentary and found footage horror
- Abroad (2023) ☆1/2(1.5/4): The vanishing in the middle of nowhere
- Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D (2026) ☆☆☆(3/4): It was wonderful to watch anyway – even in 2D
- Sherlock Jr. (1924) ☆☆☆☆(4/4): A surreal comic masterwork from Buster Keaton
- The Day She Returns (2026) ☆☆☆(3/4): Three interviews and one acting class
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Tag Archives: Thriller
Commission (2025) ☆☆☆(3/4): Drawing for murder
South Korean independent film “Commission” wants to explore the dark sides of artistic creation, and it succeeds to some degree. I must say that I have no idea on how realistic it actually is in the depiction of the professional … Continue reading
Posted in Movies
Tagged Dark Web, Graphic novel, Murder, South Korean Film, Thriller
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The Nonsense (2025) ☆☆☆(3/4): Can she believe?
South Korean independent film “The Nonsense” is a little but effective mix between character drama and psychological thriller which will often unnerve you with its disturbingly ambiguous moments. Even in the end, you may not be entirely sure about everything … Continue reading
Abroad (2023) ☆1/2(1.5/4): The vanishing in the middle of nowhere
2023 film “Abroad”, which was released in South Korean theaters in last year without getting noticed much by me and other local audiences, is one of the most disappointing genre exercises I have ever watched during last several years. At … Continue reading
Murder Report (2025) ☆☆☆(3/4): A dangerous exclusive interview
South Korean film “Murder Report” is a taut and efficient thriller about one female journalist having an exclusive interview with a serial killer. Now you will instantly get a pretty good idea about what you will get, and the movie … Continue reading
Caught Stealing (2025) ☆☆☆(3/4): He’s in a trouble way over his head…
Darren Aronofsky’s 2025 film “Caught Stealing”, which is currently available on Netflix in South Korea, is a cheerfully absurd and intense comic noir thriller. As its flawed hero desperately struggling to survive under a situation way over his head, the … Continue reading
Apex (2026) ☆☆☆(3/4): A standard survival thriller driven by Charlize Theron
Charlize Theron is one of the most singular star actresses working in Hollywood. After she earned her own spot around the top of Hollywood with her great Oscar-winning performance in Patty Jenkins’ “Monster” (2003), she steadily and boldly rolled her … Continue reading
Crime 101 (2026) ☆☆☆(3/4): Heist 101
“Crime 101” attempts to bring some personality and substance to its familiar crime thriller plot. Although the overall result does not surpass its countless seniors such as, yes, Michael Mann’s “Heat” (1995), the movie has a number of solid individual … Continue reading
The Hand That Rocks the Cradle (2025) ☆☆1/2(2.5/4): A subpar remake with some interesting variations
“The Hand That Rocks the Cradle”, which is the remake of the 1992 film of the same name and currently available on Disney+ in South Korea, tries some interesting variations, but the result is uneven and superficial on the whole. … Continue reading
Blink Twice (2024) ☆☆1/2(2.5/4): Aren’t they having a fun?
There are a number of truly disturbing moments in Zoë Kravitz’s 2024 feature debut film “Blink Twice”, but I am not so sure about whether they work as well as intended. I understand that the movie attempts to explore toxic … Continue reading
Strange Darling (2023) ☆☆1/2(2.5/4): A superficial Tarantino wannabe
JT Mollner’s 2023 film “Stranger Darling” has the familiar tone of those countless imitators of the works of Quentin Tarantino such as, yes, “Pulp Fiction” (1994). Many of them want to be funny and provocative while also trying to toy … Continue reading





