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Recent Posts
- Lingua Franca (2019) ☆☆☆(3/4): An intimate transgender immigrant drama
- Yes, God, Yes (2019) ☆☆☆(3/4): The little sexual awakening of one Christian girl
- The Man Who Sold His Skin (2020) ☆☆1/2(2.5/4): A refugee who becomes, uh, art
- Pinocchio (2019) ☆☆1/2(2.5/4): The creepy and bizarre version of a famous fairy tale
- She Dies Tomorrow (2020) ☆☆☆(3/4): Before tomorrow comes
- The Power (2021) ☆☆1/2(2.5/4): Her first night shift
- Let Them All Talk (2020) ☆☆☆(3/4): A delightful cruise movie from Steven Soderbergh
- Quo Vadis, Aida? (2020) ☆☆☆1/2: A harrowing Bosnian war drama
- Moffie (2019) ☆☆1/2(2.5/4): A rough military gay drama set in South Africa, 1981
- Way Back Home (2019) ☆☆☆(3/4): When a past returns to her
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- Monte Hellman: 1932-2021 - an obituary by @Honors_Zombie rogerebert.com/tributes/monte… 1 hour ago
- Peacock's Rutherford Falls Wants To Be the Next Parks and Recreation - by @nickallen_redux rogerebert.com/streaming/peac… 1 hour ago
- The Beautiful World of Native Comedy: Michael Greyeyes on Rutherford Falls - an interview by Shea Vassar rogerebert.com/interviews/the… 1 hour ago
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Daily Archives: March 20, 2019
Idol (2019) ☆☆1/2(2.5/4): A tense but murky South Korean noir thriller
I am still not that sure whether I understand everything presented in South Korean noir thriller film “Idol”, which sometimes seems to signify nothing but confusion and frustration. While that probably does not matter much considering how adamantly murky the … Continue reading
