Category Archives: Movies

Dolemite Is My Name (2019) ☆☆☆1/2(3.5/4): Eddie Murphy back in his element

“Dolemite Is My Name”, which was released on Netflix on last Friday, is a lively and cheerful biographical comedy film which delighted and entertained me a lot. As a sort of cross between Tim Burton’s “Ed Wood” (1994) and Mario … Continue reading →

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The Art of Self-Defense (2019) ☆☆☆(3/4): A little dark satire on toxic masculinity

“The Art of Self-Defense” does not pull its chops and kicks in its dark satiric examination of toxic masculinity, and I appreciate that to some degree. At first, it initially seems to be a whimsical send-up of “The Karate Kid” … Continue reading →

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Blood Simple (1984) ☆☆☆1/2(3.5/4): An exemplary debut work by the Coen brothers

The Coen brothers’ debut film “Blood Simple”, which happened to be released in South Korea in last week, is an exemplary genre exercise to be appreciated and cherished for many good reasons. While it may look modest compared to what … Continue reading →

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The King (2019) ☆☆1/2(2.5/4): To be a king

Don’t expect romance or eloquence from David Michôd’s new film “The King”, which is released in South Korea this week before its upcoming online release on November 1st. This is a solemn and brooding reinterpretation of a series of plays … Continue reading →

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The Kill Team (2019) ☆☆1/2(2.5/4): A conflicted young solider facing war crime

“The Kill Team” is a passable war drama film which does not show or tell me anything particularly new about what has been committed during War on Terror. Partially based on a shocking real-life case of war crime in 2010, … Continue reading →

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Wounds (2019) ☆☆(2/4): Disturbing but ultimately hollow

I do not mind being confused while watching horror flicks, as long as they intrigue or excite or, above all, terrify me. Unfortunately, Babk Anvari’s second feature film “Wounds”, which was released by Hulu in the US while being released … Continue reading →

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Kim Ji-young: Born 1982 (2019) ☆☆☆1/2(3.5/4): An ordinary South Korean female life

I could not help but respond to a number of seemingly mundane but undeniably strong moments in South Korean film “Kim Ji-young: Born 1982”, which has been one of the most anticipated movies of this year in South Korea thanks … Continue reading →

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Tell Me Who I Am (2019) ☆☆☆(3/4): Forgotten and then remembered

There are several unforgettable moments in Netflix documentary “Tell Me Who I Am”, which revolves around the past forgotten and then remembered two twin brothers. While it simply observes and listens to its two human subjects, their sense of loss … Continue reading →

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The Laundromat (2019) ☆☆(2/4): How they laundered money

Steven Soderbergh’s new film “The Laundromat”, which was released on Netflix on last Friday, does not inform me much beyond what I learned a bit from a number of newspaper articles on the Panama Papers, a massive amount of leaked … Continue reading →

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Maleficent: Mistress of Evil (2019) ☆☆1/2(2.5/4): Maleficent strikes again

Angelina Jolie is one of the most elegant and charismatic actresses working in Hollywood, and “Maleficent: Mistress of Evil”, the sequel of “Maleficent” (2014), works as a vehicle for her undeniable star quality to some degree. Although the movie is … Continue reading →

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