Monthly Archives: March 2020

Gringo (2018) ☆☆1/2(2.5/4): A black gringo in trouble

Posted on March 31, 2020 by

“Gringo” is supposed to be a wild and crazy crime comedy movie, but it somehow fails to give me enough laugh despite the game efforts from some of its main cast members. While it is not entirely a total dud, … Continue reading →

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Uncorked (2020) ☆☆☆(3/4): Between wine and barbecue

Posted on March 29, 2020 by

Netflix film “Uncorked” is a mildly pleasant family drama exuding familiar flavors. Although it is rather predictable to the core, the movie manages to distinguish itself a bit thanks to its mood, details, and performances to be savored for a … Continue reading →

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Move the Grave (2019) ☆☆☆(3/4): Four sisters and their little family matter

Posted on March 29, 2020 by

South Korean independent film “Move the Grave” revolves around four different sisters and their little family matter. As humorously observing the rocky interactions among them, the movie also throws some sharp jabs at the main source of their frustration and … Continue reading →

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Crip Camp: A Disability Revolution (2020) ☆☆☆1/2(3.5/4): Their special camp and beyond

Posted on March 26, 2020 by

Netflix documentary film “Crip Camp: A Disability Revolution”, which received the Audience Award at the Sundance Film Festival early in this year, presents an extraordinary tale of empowerment and resilience. At the beginning, it merely seems to be about one … Continue reading →

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Lost Girls (2020) ☆☆☆(3/4): Looking for her missing daughter

Posted on March 25, 2020 by

Netflix film “Lost Girls” is about the tenacious struggle of a woman determined to find out what really happened to her missing daughter. Although occasionally becoming a little melodramatic as expected, the movie mostly sticks to its dry but engaging … Continue reading →

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Miles Davis: Birth of the Cool (2019) ☆☆☆(3/4): Miles Davis’ greatest hits

Posted on March 23, 2020 by

Documentary film “Miles Davis: Birth of the Cool” tries to look around the greatest moments in the career of Miles Davis, and it did a fairly good job on the whole despite its several shortcomings. For instance, I was a … Continue reading →

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Mike Wallace Is Here (2019) ☆☆☆(3/4): Following the career of Mike Wallace

Posted on March 22, 2020 by

Documentary film “Mike Wallace Is Here” attempts to presents the overview of the career of Mike Wallace, who was one of the most prominent TV journalists in US for many years before his death in 2012. Instead of merely depending … Continue reading →

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Dark Waters (2019) ☆☆☆(3/4): A long, frustrating legal fight against DuPont

Posted on March 19, 2020 by

As watching Todd Haynes’ latest film “Dark Waters” at a local movie theater on this Wednesday evening, I mused a bit on when I heard about Teflon for the first time. It was probably when I learned elementary cooking during … Continue reading →

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Away (2019) ☆☆☆(3/4): A little one-man-band animation film

Posted on March 17, 2020 by

Latvian independent animation film “Away” looks pretty simple on the surface, but it will surprise and impress you a lot when you learn more about how it was made during its four-year production period. Although it is occasionally hampered by … Continue reading →

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Swallow (2019) ☆☆☆(3/4): A woman under compulsion

Posted on March 17, 2020 by

“Swallow” is a disturbing psychological thriller film which will make you wince more than once for good reasons. Calmly observing its young heroine’s increasingly alarming compulsion, the movie delves deep into her troubled state of mind, and there are a … Continue reading →

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