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- Decision to Leave (2022) ☆☆☆1/2(3.5/4): Another twisted work from Park Chan-wook
- Everything Everywhere All at Once (2022) ☆☆☆1/2(3.5/4): Michelle Yeoh in the Madness of the Multiverse
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Seongyong’s Twitter
- RT @k_aquinas: 4시즌 파이널에서 러닝타임 하염없이 늘어지는 걸 각오하고 인물들 빠짐없이 한번씩 하이라이트 만들어준 게 좋았음. 만든 사람들이 캐릭터들을 체스말 취급 안하고 정말 애정이 있긴 있구나 싶어서. 3 hours ago
- RT @k_aquinas: 기묘한 이야기 이번 시즌은 그냥 다 연기가 좋았음. 한 명 쯤은 삐꾸가 날법도 한데. 3 hours ago
- RT @yang0067: 박찬욱 존나 무섭고 잔인한 사람임 영화를 존나길게찍어서 관객이 반드시 쉬가 마렵게 만든다음 마침내 쉬마려워지기 시작될 즈음에 본격적으로 이제 바닷가 신을 보여줌 바닷물을 보면서 살짝 불안초조해지는 찰나 이제 바닷물이 점점 밀… 3 hours ago
- RT @k_aquinas: 헤어질 결심의 세계… 인공지능 번역이 완벽하고 경찰서 인테리어가 이쁜 가상의 멀티버스… (좋음) 3 hours ago
- RT @ApplyNoRules: My cat and my parent’s dog have joined forces across their differences, showing solidarity for a shared goal (getting me… 3 hours ago
Daily Archives: December 27, 2018
Take Point (2018) ☆☆(2/4): Mindless and pointless with lots of shakings and shootings
South Korean film “Take Point”, which was released in South Korea as “PMC: The Bunker” yesterday, is a mindless and pointless action thriller movie filled with lots of shakings and shootings. To be frank with you, I am still confused … Continue reading
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