-
Recent Posts
- Mayday (2026) ☆☆1/2(2.5/4): A very predictable genre exercise with some amusement
- Don’t Say Good Luck (2026) ☆☆☆(3/4): Her life becomes a little more complicated
- Freefall: A Reckoning for Boeing (2026) ☆☆☆(3/4): The story still continues…
- Sua’s Home (2026) ☆☆☆(3/4): Reaching for home and family
- Obsession (2025) ☆☆☆(3/4): He should have been careful for what he wished for…
- Waitress the Musical (2023) ☆☆☆(3/4): A funny and likable stage musical to enjoy
- Power Ballad (2026) ☆☆1/2(2.5/4): Their little conflict on a song
- In the Grey (2026) ☆☆(2/4): Guy Ritchie on autopilot
- The Journey to Gyeong-ju (2025) ☆☆☆(3/4): There bumpy family trip for revenge
- Leave the Cat Alone (2025) ☆☆1/2(2.5/4): No cat here
Blogroll
Interesting Windows
Movies
Categories
Meta
Archives
My Photos
-
Join 831 other subscribers
Blog Stats
- 1,323,232 hits
Seongyong’s Twitter
Tweets by kaist455
Tag Archives: Village
Last Summer (2023) ☆☆☆(3/4): As a country summer passes…
It may take some time for you to sense and then process what and how South Korean independent film “Last Summer” is about. Leisurely establishing its vividly realistic rural atmosphere across the screen, the movie gradually blurs the line between … Continue reading
Manok (2025) ☆☆☆(3/4): A lesbian lady back in her rural hometown
South Korean independent film “Manok” is a likable queer comedy drama boldly waving its rainbow spirit across the screen. While its cheerful mix between humor and drama often feels rather uneven especially during its second half, the movie has a … Continue reading
Posted in Movies
Tagged Comedy, Homosexuailty, South Korean Film, Transgender, Village
Leave a comment
Misericordia (2024) ☆☆☆1/2(3.5/4): Stuck in absurd predicament
Alain Guiraudie’s latest film “Misericordia” is a wry comedy thriller which has some naughty fun behind its back as steadily maintaining its deadpan attitude to its hero’s absurd predicament. No matter how much he tries in one way or another, … Continue reading
The Monk and the Gun (2023) ☆☆☆1/2(3.5/4): In the middle of modernization
“The Monk and the Gun”, which was the Bhutanese entry for Best International Film Oscar in last year (It was included in the shortlist around the end of last year, by the way), takes its time for its little deadpan … Continue reading
Pedro Páramo (2024) ☆☆1/2(2.5/4): Walking into a ghost town
Netflix film “Pedro Páramo”, which was released a few weeks ago, is often terrific to watch for its undeniably haunting visual moments, but it is also frequently frustrating in terms of story and character. While its period background looks impeccable … Continue reading
Banel & Adama (2023) ☆☆☆(3/4): Being dried and suffocated
“Banel & Adama”, which was chosen as the official submission to Best International Film Oscar by Senegal in last year, is a sad story about a young rural woman getting dried and suffocated by the harsh reality of her isolated … Continue reading
Evil Does Not Exist (2023) ☆☆☆(3/4): Ryusuke Hamaguchi’s interesting minor work
Ryusuke Hamgauchi’s latest film “Evil Does Not Exist”, which won the Grand Jury Prize when it was shown at the Venice International Film Festival in last year, is interesting to watch for several good reasons. Although it does not reach … Continue reading
Il Buco (2021) ☆☆☆1/2(3.5/4): Inside and outside the hole
“Il Buco”, which means “the Hole” in Italian, is surprisingly compelling in its dry and distant approach to its main subject. Simply following the discovery and exploration of a certain deep hole in the cave region of Pollino in Southern … Continue reading
No Bears (2022) ☆☆☆1/2(3.5/4): Another interesting work from Jafar Panahi
Iranian filmmaker Jafar Panahi’s latest film “No Bears”, which won the Special Jury Prize when it was premiered at the 2022 Venice International Film Festival, is fascinating for how the director willingly pushes his artistic vision further despite lots of … Continue reading
R.M.N. (2022) ☆☆☆(3/4): Their Town
Romanian filmmaker Christian Mungiu has impressed us with his dry but undeniably intense drama films such as “4 Months, 3 Weeks and 2 Days” (2007) and “Beyond the Hill” (2012). Although it is less focused in comparison as attempting to … Continue reading





