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- The Intern (2026) ☆☆☆(3/4): A solid South Korean remake to enjoy
- The Drama (2026) ☆☆☆(3/4): This is one *nasty* movie
- Oasis: Don’t Look Back in Anger (2026) ☆☆☆1/2(3.5/4): Oasis back in action
- Gill (2024) ☆☆☆(3/4): The boy who can breathe in water
- Days of Being Wild (1990) ☆☆☆(3/4): A self-absorbed lad’s languid descent
- My Penguin Friend (2024) ☆☆☆(3/4): This penguin steals the show anyway
- Mayday (2026) ☆☆1/2(2.5/4): A very predictable genre exercise with some amusement
- Don’t Say Good Luck (2026) ☆☆☆(3/4): Her life becomes a little more complicated
- Freefall: A Reckoning for Boeing (2026) ☆☆☆(3/4): The story still continues…
- Sua’s Home (2026) ☆☆☆(3/4): Reaching for home and family
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Top Secret! (1984) ☆☆☆(3/4): A silly but hilariously free-wheeling parody
Jim Abrahams, David Zucker, and Jerry Zucker’s 1984 film “Top Secret!”, which recently happens to be available on Netflix in South Korea along with a bunch of notable American films from the 1980s, remains as a fairly funny comedy movie. … Continue reading
Queen of Chess (2026) ☆☆☆(3/4): The story of a trail-blazing female chess player
Netflix documentary film “Queen of Chess”, which was released on last Friday, follows the remarkable story of Judit Polgár, a Hungarian female chess grandmaster who was an exceptional trailblazer during her prime. Despite numerous obstacles including sexism, she really tried … Continue reading
Once We Were Us (2025) ☆☆☆(3/4): Looking back at when they were in love
South Korean film “Once We Were Us”, which is a remake of Rene Liu’s 2018 Chinese film “Us and Then”, is an engaging variation equipped with some distinctive personality. While being mostly faithful to the plot and characters of the … Continue reading
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Flowers of Shanghai (1998) ☆☆☆1/2(3.5/4): Distant but exquisite anyway
Hou Hsiao-hsien’s 1998 film “Flowers of Shanghai”, which was released in South Korean theaters in last week, often requires some patience from you for good reasons. As your average arthouse movie, it is slow, distant, and opaque in terms of … Continue reading
Good Morning (1959) ☆☆☆1/2 (3.5/4): They want a TV…
Yasujirō Ozu’s 1959 film “Good Morning”, which happens to come to South Korean theaters in this week, is often cheerfully sweet and naughty to my little amusement. While it is as gentle and humane as you can expect from Ozu, … Continue reading
Wuthering Heights (2026) ☆☆1/2(2.5/4): A cheeky but ultimately hollow adaptation
Emerald Fennell’s new film “Wuthering Heights”, the latest adaptation of the 1847 classic novel by Emily Brontë, attempts to be wild and cheeky, and I appreciate that to some degree although the result turns out to be hollow and superficial … Continue reading
Humint (2026) ☆☆1/2(2.5/4): A slick but bland genre product
South Korean filmmaker Ryoo Seung-wan’s latest film “Humint” is a slick but deficient genre product. While there are a number of well-executed scenes to entertain us, the movie also feels a bit too trite and bland in terms of storytelling … Continue reading
Marty Supreme (2025) ☆☆☆1/2(3.5/4): Timothée Supreme
Josh Safdie’s new film “Marty Supreme” is an ambitious mix between absurd comedy and intense sports drama. Quite willing to go all the way along with its increasingly obnoxious and incorrigible hero during its rather long running time (150 minutes), … Continue reading
Hamnet (2025) ☆☆☆(3/4): Shakespeare in Grief
Chloé Zhao’s latest film “Hamnet”, which received the People’s Choice Award at the Toronto International Film Festival in last year and then recently garnered 8 Oscar nominations including the ones for Best Picture and Best Director, is a curious mix … Continue reading
Song Sung Blue (2025) ☆☆1/2(2.5/4): The story of a singing couple
Craig Brewer’s latest film “Song Sung Blue” is a bit too conventional to my little disappointment. Probably because I am already familiar with its dramatic real-life story, the movie often felt to me like being no more than a merely … Continue reading





