Author Archives: kaist455

Benediction (2021) ☆☆☆1/2(3.5/4): The final film by Terence Davies

“Benediction”, which is now the last film by Terence Davies after he died a few days ago, is a melancholic collection of personal memories from a real-life British poet who had a fair share of bitter anger and sadness as … Continue reading →

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Juliet of the Spirits (1965) ☆☆☆1/2 (3.5/4): Her spiritual journey of self-discovery

Federico Fellini’s “Juliet of the Spirits” baffles me a lot in good ways. When I watched the film for the first in 2005, I felt like not totally understanding how it is about or what it is about, and that … Continue reading →

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I vitelloni (1953) ☆☆☆1/2(3.5/4): A group of village slackers

Federico Fellini’s “I vitelloni”, which means “The slackers” in Romagnol slang, is a dry but funny comedy drama film about a group of young but pathetic village slackers. Although it may not be one of Fellini’s best works in my … Continue reading →

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Fair Play (2023) ☆☆☆1/2(3.5/4): A risky office relationship

Netflix film “Fair Play”, which was released on last Friday, is a tense and disturbing thriller drama about one supposedly cool office relationship deteriorated by toxic office environment. Alternatively chilling and harrowing, the movie often feels like watching the slow-motion … Continue reading →

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8 1/2 (1963) ☆☆☆☆(4/4): A filmmaker in chaotic crisis

Federico Fellini’s “8 1/2” is your average navel-gazing piece of work, but it is surely one of the best ones of its kind in addition to being the groundbreaking one. While having been emulated so much by numerous subsequent films … Continue reading →

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La Dolce Vita (1960) ☆☆☆☆(4/4): The ups and downs of his chic but hollow lifestyle

It has been 20 years since I watched Federico Fellini’s “La Dolce Vita”, and I could not help but become a bit reflective about its timeless qualities when I revisited it at a local movie theater today. While it can … Continue reading →

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Totally Killer (2023) ☆☆☆(3/4): Scream mixed with Back to the Future

“Totally Killer”, which was released on Amazon Prime a few days ago, is another familiar genre mix which thankfully has enough entertaining moments to hold our attention to the end. As slyly recognized in the film, this is basically a … Continue reading →

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Hopeless (2023) ☆☆(2/4): Hopelessly grim and tepid

South Korean film “Hopeless” is a grim crime noir drama which tediously pushes the story and characters into more violence and misery without much substance or interest. Besides being unlikable or pathetic, most of the main characters in the film … Continue reading →

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The Saint of Second Chances (2023) ☆☆☆(3/4): An Owner’s Son

Mike Veeck is an interesting guy who also has had a pretty curious life and career, and Netflix documentary film “The Said of Second of Chances”, which was released a few weeks ago, could not possibly be less entertaining at … Continue reading →

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Love Reset (2023) ☆☆(2/4): Love after divorce – and amnesia

I am not an ideal audience for South Korean film “Love Reset”. To be frank with you, I do not like comedies simply resorting to cheap gags and apparent jokes instead of being driven by genuine personalities and absurdities, and … Continue reading →

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