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- Michael (2026) ☆☆(2/4): Bland, empty, and bad
- Commission (2025) ☆☆☆(3/4): Drawing for murder
- The Nonsense (2025) ☆☆☆(3/4): Can she believe?
- So Far So Close (2025) ☆☆1/2(2.5/4): The bar looks wonderful at least
- 2035: The Green Light (2025) ☆☆(2/4): An uneven mix between mockumentary and found footage horror
- Abroad (2023) ☆1/2(1.5/4): The vanishing in the middle of nowhere
- Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D (2026) ☆☆☆(3/4): It was wonderful to watch anyway – even in 2D
- Sherlock Jr. (1924) ☆☆☆☆(4/4): A surreal comic masterwork from Buster Keaton
- The Day She Returns (2026) ☆☆☆(3/4): Three interviews and one acting class
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Daily Archives: September 16, 2024
Speak No Evil (2024) ☆☆☆(3/4): A less disturbing but competent remake
When I heard about the production of an American remake of 2022 Danish film “Speak No Evil” in last year, I instantly had a few reasonable concerns. Considering that the original version is one of the bleakest “feel-bad” movies I … Continue reading
Blesser (2023) ☆☆☆(3/4): Trying to raise her autistic son
South Korean film “Blesser” vividly shows how life can be like a sheer hell for a woman who happens to have an autistic kid. While it will surely try to pull your heartstrings via one personal hardship after another unfolded … Continue reading





