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- Commission (2025) ☆☆☆(3/4): Drawing for murder
- The Nonsense (2025) ☆☆☆(3/4): Can she believe?
- So Far So Close (2025) ☆☆1/2(2.5/4): The bar looks wonderful at least
- 2035: The Green Light (2025) ☆☆(2/4): An uneven mix between mockumentary and found footage horror
- Abroad (2023) ☆1/2(1.5/4): The vanishing in the middle of nowhere
- Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D (2026) ☆☆☆(3/4): It was wonderful to watch anyway – even in 2D
- Sherlock Jr. (1924) ☆☆☆☆(4/4): A surreal comic masterwork from Buster Keaton
- The Day She Returns (2026) ☆☆☆(3/4): Three interviews and one acting class
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Daily Archives: May 29, 2023
Sprinter (2023) ☆☆☆(3/4): Desperate Sprinters
South Korean independent film “Sprinter” tells the parallel stories of three different sprinters competing for the national team selection for each own desperate reason. Although their individual stories may feel rather plain and generic, the movie juggles these three different … Continue reading
Scream VI (2023) ☆☆☆(3/4): Ghostface is back… in Manhattan
I am rather amused by how the Scream franchise has hopped from one subject after another during last 26 years. At first, “Scream” (1996) simply made a fun of many of its genre clichés and conventions, and then the franchise … Continue reading
The Little Mermaid (2023) ☆☆☆(3/4): Redundant but watchable anyway
“The Little Mermaid”, the latest case of the ongoing intellectual property regurgitation by Disney, is redundant at worst but watchable at best. I am not still sure whether this live-action version of the 1989 Disney animation film is really necessary … Continue reading
Sisu (2022) ☆☆☆(3/4): Let’s kill them all!
I winced and then was amused more than once as watching Jalmari Helander’s new film “Sisu”, an extremely violent but preposterously entertaining World War II film which really goes over the top along with its silent but striking hero. As … Continue reading





