Tag Archives: Drama

Bacurau (2019) ☆☆1/2(2.5/4): An odd mixed bag of genres from Brazil

Brazilian film “Bacurau”, which received the Jury Prize along with French film “Les Misérables” (2019) at the Cannes Film Festival early in last year, is an odd mixed bag of genres which did not click that well with me. While … Continue reading

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Taipei Story (1985) ☆☆☆1/2(3.5/4): Lost in Taipei

Edward Yang’s “Taipei Story”, which was released in South Korean theaters a few days ago, is a melancholic urban drama about loneliness and disconnection. Although it initially requires considerable patience from us due mainly to its slow narrative pacing and … Continue reading

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Kim Ji-young: Born 1982 (2019) ☆☆☆1/2(3.5/4): An ordinary South Korean female life

I could not help but respond to a number of seemingly mundane but undeniably strong moments in South Korean film “Kim Ji-young: Born 1982”, which has been one of the most anticipated movies of this year in South Korea thanks … Continue reading

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An Elephant Sitting Still (2018) ☆☆☆(3/4): One long, hopeless day

Chinese film “An Elephant Sitting Still”, which won the FIPRESCI Award when it was shown at the Berlin International Film Festival early in last year, is filled with the glum sense of despair and hopelessness throughout its nearly 4-hour running … Continue reading

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The Heiresses (2018) ☆☆☆1/2(3.5/4): As she tentatively steps out of her hermetic life

“The Heiresses”, which was selected as Paraguay’s entry for Best Foreign Language Film Oscar at the 2019 Academy Awards in last year, is a small but impressive drama about a plain middle-aged woman happening to struggle alone during the absence … Continue reading

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The Tale (2018) ☆☆☆(3/4): How differently she remembers

Memory can be deceptive at times, and HBO film “The Tale” explorers that tricky aspect through its heroine’s painful emotional journey into her past. As she comes to realize how unreliable her memories are, she comes to see more of … Continue reading

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Hannah (2017) ☆☆(2/4): Drab, dreary, and hollow

It took some time for me to appreciate the distinctive presence of Charlotte Rampling. As far as I remember, I noticed her for the first time through her supporting turn in “Angel Heart” (1987), and then I came to see … Continue reading

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