-
Recent Posts
- I Am Frankelda (2025) ☆☆☆(3/4): An enchanting Mexican animation film
- GOAT (2026) ☆☆☆(3/4): A young goat following his dream
- The Piano Teacher (2001) ☆☆☆1/2(3.5/4): Can she really play him like piano?
- Soar (2026) ☆☆☆(3/4): She simply wants to escape…
- Toy Story 5 (2026) ☆☆☆1/2(3.5/4): It’s still going well even after three decades
- The Price of Goodbye (2025) ☆☆☆(3/4): A desperate funeral before death
- Remarkably Bright Creatures (2026) ☆☆☆(3/4): Her octopus friend
- Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World) (2026) ☆☆☆(3/4): The story of that legendary band
- Sheep in the Box (2026) ☆☆1/2(2.5/4): A middling AI robot drama by Hirokazu Kore-eda
- Disclosure Day (2026) ☆☆☆1/2(3.5/4): Familiar but masterful nonetheless
Blogroll
Interesting Windows
Movies
Categories
Meta
Archives
My Photos
-
Join 827 other subscribers
Blog Stats
- 1,289,795 hits
Seongyong’s Twitter
Tweets by kaist455
Tag Archives: Drama
Remarkably Bright Creatures (2026) ☆☆☆(3/4): Her octopus friend
Netflix film “Remarkably Bright Creatures”, which was released early in last month, is unabashedly sappy but somehow remains fairly entertaining on the whole. While it takes some time for us to accept the fantasy aspects of the story, the story … Continue reading
Still Walking (2008) ☆☆☆1/2(3.5/4): The distance among them
Hirokazu Kore-eda’s 2008 film “Still Walking”, which was re-released in South Korean theaters a few days ago, still shines in its tranquil family drama which comes to show more human complexity than it seems at first. While its gentle mood … Continue reading
The Book of Clarence (2023) ☆☆(2/4): A middling biblical satire
Jeymes Samuel’s latest film “The Book of Clarence”, which is currently available on Netflix in South Korea, is a middling biblical satire disappointing us in more than one aspect. While its story setup and premise are fairly amusing on the … Continue reading
The Seed of the Sacred Fig (2024) ☆☆☆1/2(3.5/4): A tense Iranian family/political drama
Iranian film “The Seed of the Sacred Fig”, which was recently selected as the German submission to Best International Film Oscar, is a masterful work which will hold your attention from the beginning to the end. Deftly balancing itself between … Continue reading
We Grown Now (2023) ☆☆☆(3/4): Their childhood in Cabrini-Green, 1992
“We Grown Now” is a little but intimate coming-of-age drama about growing up in the Cabrini-Green neighborhood of Chicago in 1992. Mostly sticking to the viewpoint of two young African American boys living there during that time, the movie often … Continue reading
Good Grief (2023) ☆☆☆(3/4): After his husband’s death
Netflix film “Good Grief”, which was released a few days ago, attempts to present a sincere and humorous drama about personal grief, and it mostly succeeds in my trivial opinion. While it has some notable flaws including its predictable narrative … Continue reading
Alice Doesn’t Live Here Anymore (1974) ☆☆☆1/2(3.5/4): An intimate female drama by Martin Scorsese (No kidding)
“Alice Doesn’t Live Here Anymore” occupies a curiously odd spot in Martin Scorsese’s legendary filmmaking career. While sandwiched right between “Mean Streets” (1973) and “Taxi Driver” (1976), this little film is quite different from either of his two gritty urban … Continue reading
When Winter Comes (2020) ☆☆☆(3/4): A bus driver still not through with his past
South Korean independent film “When Winter Comes” is about one plain guy still not through with his past. Leisurely moving from one episodic moment to another, the movie gradually develops his quiet emotional struggle along the story, and that is … Continue reading
The Cave (2021) ☆☆☆(3/4): His wife and his first love
I could not help but chuckle a bit at times while watching South Korean film “The Cave”. At first, it comes to us as a calm and intimate story about loss and healing, but it also can be quite amusing … Continue reading
A Hero (2021) ☆☆☆1/2(3.5/4): Another complex moral drama from Asghar Farhadi
Iranian film “A Hero”, which was released on Amazon Prime in US in last week, is another knockout work from Asghar Farhadi, a masterful Iranian filmmaker who suddenly became quite more prominent to many of us thanks to his great … Continue reading





