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- Resident Evil (2026) ☆☆☆(3/4): A risky delivery
- The Intern (2026) ☆☆☆(3/4): A solid South Korean remake to enjoy
- The Drama (2026) ☆☆☆(3/4): This is one *nasty* movie
- Oasis: Don’t Look Back in Anger (2026) ☆☆☆1/2(3.5/4): Oasis back in action
- Gill (2024) ☆☆☆(3/4): The boy who can breathe in water
- Days of Being Wild (1990) ☆☆☆(3/4): A self-absorbed lad’s languid descent
- My Penguin Friend (2024) ☆☆☆(3/4): This penguin steals the show anyway
- Mayday (2026) ☆☆1/2(2.5/4): A very predictable genre exercise with some amusement
- Don’t Say Good Luck (2026) ☆☆☆(3/4): Her life becomes a little more complicated
- Freefall: A Reckoning for Boeing (2026) ☆☆☆(3/4): The story still continues…
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Author Archives: kaist455
The Zone of Interest (2023) ☆☆☆1/2(3.5/4): The Banality of Evil Right Next to Auschwitz
Jonathan Glazer’s new film “The Zone of Interest”, which recently received the five Oscar nominations including the ones for Best Picture and Best International Film, is utterly chilling in its clinically uncompromising presentation of the banality of evil. Although lots … Continue reading
The Space Race (2023) ☆☆☆(3/4): Hidden Astronauts
Documentary film “The Space Race” looks into a hidden part of the NASA history which deserves more attention in my humble opinion. Although it could delve more into its interesting historical subject, the documentary did a good job of presenting … Continue reading
Posted in Movies
Tagged Astronaut, Documentary, Race, Real-life figure, Real-life story
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Bobi Wine: The People’s President (2022) ☆☆☆(3/4): A musician against autocracy
Documentary film “Bobi Wine: The People’s President”, which recently received a nomination for Best Documentary Oscar, focuses on a popular musician who became a defiant political fighter for his country and people. While he has been brutally oppressed a lot … Continue reading
Posted in Movies
Tagged Autocracy, Documentary, Musician, Politician, Real-life figure, Real-life story
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Perfect Days (2023) ☆☆☆1/2(3.5/4): The daily life of one plain Tokyo toilet cleaner
Wim Wenders’ latest film “Perfect Days”, which was nominated for Best International Film Oscar in last month, is a sublime experience much richer than you might think at first. On the surface, it is just the plain observation on the … Continue reading
Io Capitano (2023) ☆☆☆1/2(3.5/4): An arduous immigrant odyssey across Africa
“Io Capitano”, which was recently nominated for Best International Film Oscar, follows one arduous journey across the African continent taken by the two young main characters at the center of the story. What we are going to see here is … Continue reading
A Thousand Cuts (2020) ☆☆☆1/2(3.5/4): The threat against journalism in the Philippines
Documentary film “A Thousand Cuts” reminds us of the undeniable importance of good journalism – and how it can be so easily threatened in our current chaotic time. Even at this point, our world is still struggling with the disturbing … Continue reading
Jane B. for Agnes V. (1988) ☆☆☆(3/4): When Birkin and Varda played together
Agnès Varda’s 1988 docudrama film “Jane B. for Agnes V.”, which happens to be released in South Korean theaters a few weeks ago, is a charming playtime between its director and Jane Birkin, who also appeared in Varda’s another film … Continue reading
American Fiction (2023) ☆☆☆(3/4): A little mild satire to enjoy
“American Fiction”, which won the People’s Choice Award when it was shown at the Toronto International Film Festival in last year and then garnered five Oscar nominations including the one for Best Picture in last month, is a little mild … Continue reading
Ferrari (2023) ☆☆☆(3/4): Calm and detached just like its hero
Michael Mann’s new film “Ferrari” is calm and detached just like its hero, who builds a wall around whatever he feels and thinks inside as he says at one point in the story. As a sort of antithesis to James … Continue reading
Priscilla (2023) ☆☆☆(3/4): Lost in Graceland
Since her first two feature films “The Virgin Suicides” (1999) and “Lost in Translation” (2003), Sofia Coppola has consistently adhered on her artistic territory. Her subsequent notable works such as “Marie Antoinette” (2006), “Somewhere” (2010), and “The Beguiled” (2017) are … Continue reading
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