-
Recent Posts
- Resident Evil (2026) ☆☆☆(3/4): A risky delivery
- The Intern (2026) ☆☆☆(3/4): A solid South Korean remake to enjoy
- The Drama (2026) ☆☆☆(3/4): This is one *nasty* movie
- Oasis: Don’t Look Back in Anger (2026) ☆☆☆1/2(3.5/4): Oasis back in action
- Gill (2024) ☆☆☆(3/4): The boy who can breathe in water
- Days of Being Wild (1990) ☆☆☆(3/4): A self-absorbed lad’s languid descent
- My Penguin Friend (2024) ☆☆☆(3/4): This penguin steals the show anyway
- Mayday (2026) ☆☆1/2(2.5/4): A very predictable genre exercise with some amusement
- Don’t Say Good Luck (2026) ☆☆☆(3/4): Her life becomes a little more complicated
- Freefall: A Reckoning for Boeing (2026) ☆☆☆(3/4): The story still continues…
Blogroll
Interesting Windows
Movies
Categories
Meta
Archives
My Photos
-
Join 831 other subscribers
Blog Stats
- 1,327,997 hits
Seongyong’s Twitter
Tweets by kaist455
Author Archives: kaist455
The Shawshank Redemption (1994) ☆☆☆☆(4/4): More than a prison break
It has been nearly 30 years since I watched Frank Darabont’s “The Shawshank Redemption” for the first time. As far as I remember, I watched it at least three times, and I saw it again a local movie theater yesterday … Continue reading
Where Evil Lurks (2023) ☆☆☆(3/4): Driven into an evil chaos
“Where Evil Lurks”, which was incidentally one of many different movies shown at the Jeonju International Film Festival early in this month, is a grimly captivating horror film which willingly pushes its evil chaos to the end, and I appreciate … Continue reading
The Fire Within: A Requiem for Katia and Maurice Krafft (2022) ☆☆☆1/2(3.5/4): Herzog’s tribute to the Kraffts
Werner Herzog’s documentary film “The Fire Within: A Requiem for Katia and Maurice Krafft” is another prime example showing how Herzog has always been fascinated with a certain type of human figures. Many of his movies and documentaries are about … Continue reading
Who We Are: A Chronicle of Racism in America (2021) ☆☆☆1/2(3.5/4): A passionate lecture on the American history of racism
Documentary film “Who We Are: A Chronicle of Racism in America” is basically a two-hour lecture on the American history of racism, but it is a passionate and enlightening one to recommend. Yes, whenever I think I have learned a … Continue reading
Catching Fire: The Story of Anita Pallenberg (2023) ☆☆1/2(2.5/4): The ups and downs in her life
Documentary film “Catching Fire: The Story of Anita Pallenberg” attempts to delve into the dramatic life story of Anita Pallenberg, a German-Italian model/actress who has mostly been known for her complicated personal relationship with the Rolling Stones. It is often … Continue reading
Laapataa Ladies (2023) ☆☆☆(3/4): Two switched brides
Indian film “Laapataa Ladies”, which was recently shown at the Jeonju International Film Festival in South Korea, is an entertaining mix of comedy, drama, and a bit of wholesome feminist message. Starting from one absurd comic situation involved with mistaken … Continue reading
The Hand (2023) ☆1/2(1.5/4): Stuck with an evil hand in the toilet
South Korean film “The Hand”, which is incidentally the last movie I happened to watch as a judge for one certain minor category of the upcoming Wildflower Film Awards ceremony of this year, starts with a supposedly intriguing horror story … Continue reading
Jango: Uncharged (2023) ☆☆(2/4): A merely goofy B-spoof
South Korean “Jango: Uncharged” is a merely goofy B-spoof which mildly amused me from time to time. While it is thoroughly silly and outrageous from the beginning to the end, the movie eventually goes nowhere as showing its many limits … Continue reading
Kingdom of the Planet of the Apes (2024) ☆☆☆(3/4): Another story begins…
The recent three movies from the Planet of the Apes franchise were remarkable for a number of good reasons. Besides the first-rate special effects which vividly presented a bunch of various ape characters on the screen, these movies made us … Continue reading
The Fall Guy (2024) ☆☆☆(3/4): The adventure of one stuntman
“The Fall Guy”, which is incidentally released as “The Stuntman” in South Korean theaters (I hope that local audiences will not mistake it for the remake of Richard Rush’s “The Stunt Man” (1979), by the way), has a lot of … Continue reading





