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Recent Posts
- Come Closer (2024) ☆☆1/2(2.5/4): This deeply troubled young woman
- The Little Sister (2025) ☆☆☆(3/4): A young Muslim lesbian woman during several seasons
- Teaching Practice: Idiot Girls and School Ghost 2 (2026) ☆☆☆(3/4): Another outrageous high school horror satire
- Michael (2026) ☆☆(2/4): Bland, empty, and bad
- Commission (2025) ☆☆☆(3/4): Drawing for murder
- The Nonsense (2025) ☆☆☆(3/4): Can she believe?
- So Far So Close (2025) ☆☆1/2(2.5/4): The bar looks wonderful at least
- 2035: The Green Light (2025) ☆☆(2/4): An uneven mix between mockumentary and found footage horror
- Abroad (2023) ☆1/2(1.5/4): The vanishing in the middle of nowhere
- Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D (2026) ☆☆☆(3/4): It was wonderful to watch anyway – even in 2D
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Author Archives: kaist455
Caught Stealing (2025) ☆☆☆(3/4): He’s in a trouble way over his head…
Darren Aronofsky’s 2025 film “Caught Stealing”, which is currently available on Netflix in South Korea, is a cheerfully absurd and intense comic noir thriller. As its flawed hero desperately struggling to survive under a situation way over his head, the … Continue reading
Hello, My Name Is Doris (2015) ☆☆☆(3/4): Her very late coming-of-age story
To be frank with you, I am a rather socially awkward person, but even I shake my head as observing the heroine of Michael Showalter’s 2015 film “Hello, My Name Is Doris”. Besides being quite socially awkward, she is also … Continue reading
A Big Bold Beautiful Journey (2025) ☆☆(2/4): A big bland boring journey
Kogonada’s 2025 film “A Big Bold Beautiful Journey”, which is currently available on Netflix and several other streaming services in South Korea, is surprisingly flat and tepid despite a lot of talented figures assembled together for it. While it is … Continue reading
Swapped (2026) ☆☆1/2(2.5/4): Visually wonderful but ultimately flawed
Netflix animation film “Swapped”, which was released on this Friday, works whenever it pays attention to its wondrous fantasy background. Packed here and there with vivid and colorful details to notice, the film is certainly a nice eye candy for … Continue reading
The Choral (2025) ☆☆1/2(2.5/4): A chorus during wartime
“The Choral”, which is currently available on Netflix in South Korea, is a mildly somber period drama about one little choral performance during wartime. Although it feels meandering at times due to its rather thin and unfocused narrative, the movie … Continue reading
The Devil Wears Prada 2 (2026) ☆☆1/2(2.5/4): She returns – but things have changed
“The Devil Wears Prada 2” has a fair amount of fun and style while showing some surprisingly melancholic aspects. As things have surely changed a lot during last 20 years since “The Devil Wears Prada” (2006), the movie becomes a … Continue reading
The Super Mario Galaxy Movie (2026) ☆☆(2/4): Bland and uninspired as before
I felt depressed as phlegmatically observing how my mind was frequently turned off as watching animation film “The Super Mario Galaxy Movie”, the sequel to “The Mario Bros. Movie” (2023). I did try to focus on its barebone plot and … Continue reading
Lee Cronin’s The Mummy (2026) ☆☆1/2(2.5/4): A Mummy flick a la “The Exorcist”
“Lee Cronin’s The Mummy” is supposed to be one thing at the beginning but then turns out to be some other thing in the end, and I enjoyed that to some degree. While it does not bring anything particularly new … Continue reading
Ran 12.3 (2026) ☆☆1/2(2.5/4): The day when South Korean democracy was ambushed
South Korean documentary film “Ran 12.3” has a number of raw moments which still disturb me and many other South Korean citizens a lot even at this point. On December 3rd, 2024, President Yoon Seok-yeol suddenly declared the martial law … Continue reading
Posted in Movies
Tagged Coup d’état, Documentary, Real-life incident, South Korean Film
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Apex (2026) ☆☆☆(3/4): A standard survival thriller driven by Charlize Theron
Charlize Theron is one of the most singular star actresses working in Hollywood. After she earned her own spot around the top of Hollywood with her great Oscar-winning performance in Patty Jenkins’ “Monster” (2003), she steadily and boldly rolled her … Continue reading





