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Recent Posts
- Purple Swallow (2025) ☆☆1/2(2.5/4): Whatever she tries to write…
- Norm: The Tale of Norm Macdonald (2026) ☆☆☆(3/4): A rather elusive but undeniably funny comedian
- Whalefall (2026) ☆☆☆(3/4): A terrifying survival drama inside a big whale
- Who Is Martin Mull? (2026) ☆☆☆(3/4): From a comedian to a painter
- My Undesirable Friends: Part I – Last Air in Moscow (2025) ☆☆☆1/2(3.5/4): The desperate but intimate chronicle of the journalistic defiance in Moscow
- The Last First: Winter K2 (2026) ☆☆☆(3/4): A deadly expedition at K2
- Look Back (2026) ☆☆☆1/2(3.5/4): A collaboration between two talented girls
- Céline and Julie Go Boating (1974) ☆☆☆(3/4): A long but delightful romp
- The Stranger (2025) ☆☆☆(3/4): Nothing matters to him…
- Digger (2026) ☆☆(2/4): Another ambitious misfire from Iñárritu
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Author Archives: kaist455
When Winter Comes (2020) ☆☆☆(3/4): A bus driver still not through with his past
South Korean independent film “When Winter Comes” is about one plain guy still not through with his past. Leisurely moving from one episodic moment to another, the movie gradually develops his quiet emotional struggle along the story, and that is … Continue reading
Hit the Road (2021) ☆☆☆1/2(3.5/4): A family on the road
Iranian film “Hit the Road” simply follows and observes one private journey, but it will surprise you more than once. As closely and intimately focusing on the emotional undercurrents among its four principal characters going through a certain important moment … Continue reading
Compartment No. 6 (2021) ☆☆☆1/2(3.5/4): Her accidental travel companion
“Compartment No. 6”, which was selected as the Finnish submission for Best International Film Oscar in last year, is a modest but intimate character drama between two accidental travel companions. They are quite different from each other in many aspects, … Continue reading
White Noise (2022) ☆☆(2/4): A whimsical misfire from Noah Baumbach
Noah Baumbach’s latest film “White Noise”, which is released in South Korean theaters in this week and then will be on Netflix around the end of this month, does not click that well with me. The movie, which is based … Continue reading
The Menu (2022) ☆☆☆(3/4): They surely won’t forget this dinner, you know
You may have some ideas on what “The Menu” is going to serve, and it will occasionally surprise you as serving as much as you can expect. After all, this is a pungent satire on class and culinary business, and … Continue reading
The Woman King (2022) ☆☆☆1/2(3.5/4): Viola Davis rules – and so do other ladies
Gina Prince-Bythewood’s “The Woman King” is a tough and forceful action period drama to be admired and savored. While its main historical subject is interesting enough to engage us, the movie works a compelling piece of entertainment thanks to its … Continue reading
Aftersun (2022) ☆☆☆1/2(3.5/4): That summer with her father
There is always some distance between parents and their children, and “Aftersun” sensitively illustrates the growing distance between the father and daughter at the center of its intimate character drama. Nothing much seems to happen on the surface, and they … Continue reading
Bones and All (2022) ☆☆☆(3/4): Love and Cannibalism
Luca Guadagnino’s latest film “Bones and All” is an odd mix of two very different things which somehow work together fairy well despite lots of disparity between them. On one hand, we have a gory and disturbing coming-of-age tale associated … Continue reading
She Said (2022) ☆☆☆1/2(3.5/4): How they exposed Weinstein
“She Said” presents a compelling real-life investigation journalism story which was one of the main starters of the #MeToo movement in 2017. While it is often chilling and infuriating to see how one very deplorable (and powerful) man had got … Continue reading
Nobody’s Lover (2021) ☆☆☆(3/4): Messy and Lonely
South Korean independent film “Nobody’s Lover” is about one adolescent girl who is often lonely and desperate in her messy private life. While you may shake your head more than once due to her several unwise choices along the story, … Continue reading
