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- Decision to Leave (2022) ☆☆☆1/2(3.5/4): Another twisted work from Park Chan-wook
- Everything Everywhere All at Once (2022) ☆☆☆1/2(3.5/4): Michelle Yeoh in the Madness of the Multiverse
- The Unbearable Weight of Massive Talent (2022) ☆☆☆(3/4): Cage goes wild again…
- Rise (2022) ☆☆☆(3/4): A wholesome family sports drama
- Dog (2022) ☆☆☆(3/4): His journey with a military dog
- Civil: Ben Crump (2022) ☆☆☆(3/4): A lawyer against racial injustices
- I am More (2021) ☆☆☆1/2(3.5/4): Meet More
- Please Make Me Look Pretty (2020) ☆☆☆(3/4): Her lovely caricatures
- Good Luck to You, Rio Grande (2022) ☆☆☆(3/4): Two different persons in the room
- Watcher (2022) ☆☆☆(3/4): Is somebody watching her?
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- RT @k_aquinas: 4시즌 파이널에서 러닝타임 하염없이 늘어지는 걸 각오하고 인물들 빠짐없이 한번씩 하이라이트 만들어준 게 좋았음. 만든 사람들이 캐릭터들을 체스말 취급 안하고 정말 애정이 있긴 있구나 싶어서. 4 hours ago
- RT @k_aquinas: 기묘한 이야기 이번 시즌은 그냥 다 연기가 좋았음. 한 명 쯤은 삐꾸가 날법도 한데. 4 hours ago
- RT @yang0067: 박찬욱 존나 무섭고 잔인한 사람임 영화를 존나길게찍어서 관객이 반드시 쉬가 마렵게 만든다음 마침내 쉬마려워지기 시작될 즈음에 본격적으로 이제 바닷가 신을 보여줌 바닷물을 보면서 살짝 불안초조해지는 찰나 이제 바닷물이 점점 밀… 4 hours ago
- RT @k_aquinas: 헤어질 결심의 세계… 인공지능 번역이 완벽하고 경찰서 인테리어가 이쁜 가상의 멀티버스… (좋음) 4 hours ago
- RT @ApplyNoRules: My cat and my parent’s dog have joined forces across their differences, showing solidarity for a shared goal (getting me… 4 hours ago
Daily Archives: October 20, 2020
The Trial of the Chicago 7 (2020) ☆☆☆(3/4): An angry and passionate courtroom drama by Aaron Sorkin
Aaron Sorkin’s new film “The Trial of the Chicago 7”, which was released on Netflix in last week, is an angry and passionate courtroom drama which takes us into one of the most infamous court trials in US during the … Continue reading
Proxima (2019) ☆☆☆(3/4): Before she goes up to the space
French film “Proxima” is a calm and modest character study about one female astronaut trying to deal with a very demanding circumstance. While phlegmatically observing her professional and personal struggles, the movie delicately explores its main subjects including gender roles … Continue reading
Greed (2019) ☆☆1/2(2.5/4): A broad satire revolving around one greedy rotten bastard
Some depth and gravitas are usually necessary for an effective satire, but Michael Winterbottom’s “Greed” does not have either of them. While it is occasionally amusing as its greedy rotten hero’s misguided plan for whitewashing his public disgrace is gradually … Continue reading