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- The Truth vs. Alex Jones (2024) ☆☆☆1/2(3.5/4): The judgment on a vile purveyor of lies
- The Gorals (2025) ☆☆☆(3/4): A modest but charming coming-of-age tale
- What Should We Have Done? (2023) ☆☆☆(3/4): The memories of his schizophrenic sister
- Spider-Man: Brand New Day (2026) ☆☆☆(3/4): Brand Old Familiar Day
- Serpent’s Path (2024) ☆☆1/2(2.5/4): A passable French remake by Kiyoshi Kurosawa
- Serpent’s Path (1998) ☆☆☆(3/4): A darkly twisty revenge thriller
- The Fin (2025) ☆☆☆(3/4): An odd and strange South Korean dystopian film
- Contempt (1963) ☆☆☆(3/4): Until there is nothing but contempt for him
- Dead of Winter (2025) ☆☆☆(3/4): Emma Thompson can also do some action, folks
- The Return (2024) ☆☆1/2(2.5/4): The bitter return of the king
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Daily Archives: February 2, 2020
Corpus Christi (2019) ☆☆☆(3/4): The Priest with Tattoos
Polish film “Corpus Christi”, which recently got nominated for Best International Film Oscar, turns out to be more solemn and serious than I expected from its absurd premise. Although it may be a little too dry for general audiences out … Continue reading
Uncut Gems (2019) ☆☆☆1/2(3.5/4): Adam Sandler on full throttle mode
The hero of Josh and Benny Safdie’s new film “Uncut Gems”, which was released on Netflix this Friday, is probably one of the most incorrigible characters I have ever seen during recent years. Constantly and helplessly driven by impulse and … Continue reading
Waves (2019) ☆☆☆1/2(3.5/4): From implosion to healing
Trey Edwards Shultz’s new film “Waves” grips us hard during its overwhelmingly stylish first half and then moves us a lot during its surprisingly sensitive second half. I must confess that I was quite annoyed and baffled at first, but … Continue reading
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