-
Recent Posts
- Dungeons & Dragons: Honor Among Thieves (2023) ☆☆1/2(2.5/4): All substance but no style
- A Man Called Otto (2022) ☆☆☆(3/4): A solid American remake starring Tom Hanks
- Mona Lisa and the Blood Moon (2021) ☆☆☆(3/4): A Girl Escaped
- Cocaine Bear (2023) ☆☆1/2(2.5/4): This bear is pretty wild and high…
- Plane (2023) ☆☆(2/4): As plain as it sounds
- Soulmate (2023) ☆☆☆(3/4): Two best friends
- Shazam! Fury of the Gods (2023) ☆☆1/2(2.5/4): Another forgettable superhero flick
- The Janes (2022) ☆☆☆1/2(3.5/4): Still relevant, unfortunately
- Call Jane (2022) ☆☆☆(3/4): A story about women called “Jane”
- Knock at the Cabin (2023) ☆☆☆(3/4): The Cabin at the End of the World
Blogroll
Interesting Windows
Movies
Categories
Meta
Archives
My Photos
-
Join 784 other subscribers
Blog Stats
- 857,481 hits
Seongyong’s Twitter
Error: Twitter did not respond. Please wait a few minutes and refresh this page.
Tag Archives: Melodrama
Soulmate (2023) ☆☆☆(3/4): Two best friends
South Korean film “Soulmate”, which is a remake version of the 2016 Chinese film of the same name, revolves around the dynamic friendship between two very different girls. While mostly faithful to the Chinese original version, the movie distinguishes itself … Continue reading
Parallel Mothers (2021) ☆☆☆1/2(3.5/4): Two mothers’ complicated situation
Pedro Almodóvar’s latest film “Parallel Mothers” is another fascinating work to be added to his long and illustrious career. Because, like many of Almodóvar’s notable works such as “Talk to Her” (2002), the movie engages us to a surprising degree … Continue reading
Two of Us (2019) ☆☆☆1/2(3.5/4): Just two of them
“Two of Us”, which was selected as the French entry for Best International Film Oscar in last year (It made the shortlist of fifteen films early in this year, by the way), begins its story with the warm and sensitive … Continue reading
Black Light (2020) ☆☆☆1/2(3.5/4): A truth beyond their reach
South Korean independent film “Black Light” is a seemingly plain but undeniably compelling mystery melodrama, which revolves around the truth beyond the reach of everyone involved with a very complicated circumstance in one way or another. As its three different … Continue reading
A Star Is Born (2018) ☆☆☆1/2(3.5/4): It’s old-fashioned indeed – but it still works
“A Star Is Born” is your typical old-fashioned show business melodrama which is quite familiar to the bone. A successful male star entertainer comes across an unknown girl with talent and potential, and then they fall in love each other … Continue reading
A Fantastic Woman (2017) ☆☆☆1/2(3.5/4): A fantastic transgender melodrama
Chilean film “A Fantastic Woman” is as fantastic as it can be as a melodrama which goes all the way along with its transgender heroine. While there are lots of painful moments as she struggles with many difficulties besides her … Continue reading
Wonder Wheel (2017) ☆☆(2/4): A colorful misfire from Woody Allen
Woody Allen’s new film “Wonder Wheel” is one of his most visually gorgeous works during recent years. Filled with colorful period atmosphere right from its very first shot, the movie provides a number of beautiful visual moments, and its first-rate … Continue reading
SoulMate (2016) ☆☆☆1/2(3.5/4): Two girls’ dynamic friendship
While it seems to be another typical female tale of love and friendship, Chinese film “SoulMate” works thanks to its sincere storytelling and engaging performance. It looks predictable at first, but then it comes to hold our attention as vividly … Continue reading
Miracle in Cell No.7 (2013) ☆☆(2/4) : I am Yong-goo
After 20 minutes it began, I concluded that I was not a good target audience for South Korean comedy film “Miracle in Cell No.7”. I understood what it intended to be, but I kept annoyed by its blatant comic/melodramatic approach … Continue reading
Posted in Movies
Tagged Comedy, False Charge, Father and daughter, Melodrama, Murder, Prison, South Korean Film
Leave a comment
The Skin I Live in (2011) ☆☆☆(3/4) : A sick doctor and his twisted experiment
A twisted man and the girl in his captivity have been a constant source of memorably disturbing drama films such as William Wyler’s “The Collector”(1965) and Kim Ki-duk’s “Bad Guy”(2002) in the movie history. “The Skin I Live in”, a … Continue reading