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- My Penguin Friend (2024) ☆☆☆(3/4): This penguin steals the show anyway
- Mayday (2026) ☆☆1/2(2.5/4): A very predictable genre exercise with some amusement
- Don’t Say Good Luck (2026) ☆☆☆(3/4): Her life becomes a little more complicated
- Freefall: A Reckoning for Boeing (2026) ☆☆☆(3/4): The story still continues…
- Sua’s Home (2026) ☆☆☆(3/4): Reaching for home and family
- Obsession (2025) ☆☆☆(3/4): He should have been careful for what he wished for…
- Waitress the Musical (2023) ☆☆☆(3/4): A funny and likable stage musical to enjoy
- Power Ballad (2026) ☆☆1/2(2.5/4): Their little conflict on a song
- In the Grey (2026) ☆☆(2/4): Guy Ritchie on autopilot
- The Journey to Gyeong-ju (2025) ☆☆☆(3/4): There bumpy family trip for revenge
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Daily Archives: December 8, 2025
Universal Language (2024) ☆☆☆1/2(3.5/4): A singular cinematic mix
Matthew Rankin’s “Universal Language”, which was selected as the Canadian submission to Best International Film Oscar in last year, is a singular cinematic mix to behold. While clearly influenced by the works of Guy Maddin, Wes Anderson, and Roy Andersson, … Continue reading
Nouvelle Vague (2025) ☆☆☆(3/4): A lightweight reenactment of the Nouvelle Vague era
Richard Linklater’s “Nouvelle Vague”, which was released on Netflix in US several weeks ago, is a lightweight reenactment of how Jean-Luc Godard made one of the greatest films in the cinema history during a few weeks of 1959. While it … Continue reading





