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- Spider-Man: Brand New Day (2026) ☆☆☆(3/4): Brand Old Familiar Day
- Serpent’s Path (2024) ☆☆1/2(2.5/4): A passable French remake by Kiyoshi Kurosawa
- Serpent’s Path (1998) ☆☆☆(3/4): A darkly twisty revenge thriller
- The Fin (2025) ☆☆☆(3/4): An odd and strange South Korean dystopian film
- Contempt (1963) ☆☆☆(3/4): Until there is nothing but contempt for him
- Dead of Winter (2025) ☆☆☆(3/4): Emma Thompson can also do some action, folks
- The Return (2024) ☆☆1/2(2.5/4): The bitter return of the king
- Hokum (2026) ☆☆☆(3/4): In a spooky Irish hotel
- Passenger (2026) ☆☆1/2(2.5/4): A little road trip horror flick
- Normal (2025) ☆☆1/2(2.5/4): A sheriff in one supposedly normal town
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Daily Archives: December 8, 2025
Universal Language (2024) ☆☆☆1/2(3.5/4): A singular cinematic mix
Matthew Rankin’s “Universal Language”, which was selected as the Canadian submission to Best International Film Oscar in last year, is a singular cinematic mix to behold. While clearly influenced by the works of Guy Maddin, Wes Anderson, and Roy Andersson, … Continue reading
Nouvelle Vague (2025) ☆☆☆(3/4): A lightweight reenactment of the Nouvelle Vague era
Richard Linklater’s “Nouvelle Vague”, which was released on Netflix in US several weeks ago, is a lightweight reenactment of how Jean-Luc Godard made one of the greatest films in the cinema history during a few weeks of 1959. While it … Continue reading
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