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- Everything Everywhere All at Once (2022) ☆☆☆1/2(3.5/4): Michelle Yeoh in the Madness of the Multiverse
- The Unbearable Weight of Massive Talent (2022) ☆☆☆(3/4): Cage goes wild again…
- Rise (2022) ☆☆☆(3/4): A wholesome family sports drama
- Dog (2022) ☆☆☆(3/4): His journey with a military dog
- Civil: Ben Crump (2022) ☆☆☆(3/4): A lawyer against racial injustices
- I am More (2021) ☆☆☆1/2(3.5/4): Meet More
- Please Make Me Look Pretty (2020) ☆☆☆(3/4): Her lovely caricatures
- Good Luck to You, Rio Grande (2022) ☆☆☆(3/4): Two different persons in the room
- Watcher (2022) ☆☆☆(3/4): Is somebody watching her?
- Mad God (2021) ☆☆☆1/2(3.5/4): The mad imagination of Phil Tippett
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Seongyong’s Twitter
- RT @function_not: 비엘도 내용면에서는 극단적인 고자극을 추구하는 게 많지만 그래봤자 어쨌든 ‘완전히 타자인’ 남성 동성애자의 이야기라는 점에서 안전함을 제공하는 더할나위없는 헤녀들의 퀴어놀이 공식에 맞아떨어짐 3 hours ago
- RT @function_not: 노린 건지 하늘이 내려준 우연인지 모르겠지만 그래서 아이키가 노제를 대상으로 바람을 잡았던 퀴어베이팅은 아이키를 둘러싼 다른 ‘관계성’보다 미친듯이 끓어올랐고 아예 캐릭터성이 될 수 있었던 거고. 3 hours ago
- RT @function_not: 헤녀들의 퀴어놀이는 ‘고자극’과 ‘안전’을 동시에 추구하고 이게 밸런스있게 맞아떨어져야하는 아주 복잡신묘한 놀이인데 아이키는 멘트와 행동은 고자극이지만 기혼유자녀 여성이라는 점과 외모-스타일링이 안전하고 노제는 외모-… 3 hours ago
- RT @all_nyangs_: 아기강쥐가 나에게 손을 내밀어줬어 https://t.co/xrjnPB24eG 3 hours ago
- RT @myungrangMH: 환영하지만, 한편으론 2번 찍은 이들의 생각대로 굴러가는 것 같아 속이 쓰리다. “2번 찍지만 최저임금이나 민영화 같은 건 민주당에서 알아서 막아주겠지!” 3 hours ago
Daily Archives: June 18, 2022
Top Gun: Maverick (2022) ☆☆☆1/2(3.5/4): Now that’s a real cinematic entertainment
We really have to admire and appreciate the enduring star quality of Tom Cruise, who is soon going to have the 60th birthday but has steadily given us a series of entertaining films during last several decades. To be frank … Continue reading
Lightyear (2022) ☆☆☆(3/4): A simple lightweight fun from Pixar
“Lightyear”, the latest animation feature film from Pixar Studios, is as funny and lightweight as you can expect. Although it is merely a spin-off story derived from “Toy Story” (1995), the film generates enough charm and spirit from its rather … Continue reading
Gyeong-ah’s Daughter (2022) ☆☆☆1/2(3.5/4): Her daughter is in trouble…
I often braced myself while watching South Korean film “Gyeong-ah’s Daughter”, a somber but undeniably powerful drama about one certain serious social gender issue in our digital era. As observing how its two different main characters respectively struggle with the … Continue reading