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- Aftersun (2022) ☆☆☆1/2(3.5/4): That summer with her father
- Bones and All (2022) ☆☆☆(3/4): Love and Cannibalism
- She Said (2022) ☆☆☆1/2(3.5/4): How they exposed Weinstein
- Nobody’s Lover (2021) ☆☆☆(3/4): Messy and Lonely
- Till (2022) ☆☆☆1/2(3.5/4): The harrowing story of Emmett Till’s mother
- Tár (2022) ☆☆☆1/2(3.5/4): A dry but complex character study from Field and Blanchett
- The Night Owl (2021) ☆☆☆(3/4): He saw what he was not supposed to see…
- Seire (2021) ☆☆☆(3/4): Haunted by his ex-girlfriend
- The Swimmers (2022) ☆☆☆(3/4): Swimmer sisters from Syria
- The Wonder (2022) ☆☆☆(3/4): She cannot just observe….
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Daily Archives: June 30, 2020
The Platform (2019) ☆☆☆(3/4): Trapped in a big horizontal prison
Spanish film “The Platform”, which won the People’s Choice Award for Midnight Madness at the Toronto International Film Festival, is a small but efficient genre piece trying to push a simple but darkly interesting story idea as much as possible … Continue reading
I’m No Longer Here (2019) ☆☆☆(3/4): Adrift between Monterrey and NYC
“I’m No Longer Here”, which was released on Netflix in US and several other countries a few months ago, gives us a vivid glimpse into a Mexican subculture probably quite unfamiliar to many of you. Although I must point out … Continue reading
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