Tag Archives: Murder

Following (2024) ☆☆☆(3/4): And then she dies…

South Korean film “Following” is a darkly amusing thriller about one creepy dude suddenly finding himself framed for what he did not commit just like many Hitchcockian heroes. While it is rather hard to care about its deeply unlikable hero, … Continue reading →

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Laroy, Texas (2023) ☆☆☆(3/4): A little comic noir set in Texas

“Laroy, Texas” is a little comic noir which reminds us again of that old genre lesson: the world always wins no matter how much you try to win by any means necessary. Clearly reminiscent of its senior noir films such … Continue reading →

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The Killer (2023) ☆☆☆(3/4): “Stick to your plan”

David Fincher’s new movie “The Killer”, which was released in South Korean theaters in this week before being released on Netflix in a few weeks later, is a thriller as cold, ruthless, and efficient as you can expect from him. … Continue reading →

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Killers of the Flower Moon (2023) ☆☆☆1/2 (3.5/4): An epic crime drama from Martin Scorsese

Martin Scorsese’s new film “Killers of the Flower Moon”, which was released in South Korean theaters on this Thursday, is a stunningly epic piece of work vividly looking into one massive injustice against a Native American tribe during the early … Continue reading →

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Totally Killer (2023) ☆☆☆(3/4): Scream mixed with Back to the Future

“Totally Killer”, which was released on Amazon Prime a few days ago, is another familiar genre mix which thankfully has enough entertaining moments to hold our attention to the end. As slyly recognized in the film, this is basically a … Continue reading →

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The Blackening (2022) ☆☆☆(3/4): Which one is more, uh, black?

As a South Korean audience who does not know that much about the African American culture, I may not be an ideal one for “The Blackening”, but it amused and entertained me enough as a humorously self-conscious genre exercise. Although … Continue reading →

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Bodies Bodies Bodies (2022) ☆☆☆(3/4): …And then it becomes deadly for all of them

“Bodies Bodies Bodies”, which is currently available on Netflix in South Korea, a nasty but humorous comedy thriller film which will amuse you in more than one way. On the surface, it looks like your average woman-in-danger flick, but it … Continue reading →

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Missing (2021) ☆☆☆(3/4): Gone Father

It is rather difficult to describe the plot of “Missing”, a dark and disturbing Japanese mystery thriller film which pulls some surprises for us as unexpectedly shifting from one narrative point to another. I will be discreet here as much … Continue reading →

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Confess, Fletch (2022) ☆☆☆(3/4): Fletch returns…

Gregory Mcdonald’s “Fletch” was one of numerous pulpy stuffs I gladly devoured during my wild and crazy childhood years in the 1990s. It is too bad that any of McDonald’s following sequel novels was not translated in South Korea, but … Continue reading →

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Scream VI (2023) ☆☆☆(3/4): Ghostface is back… in Manhattan

I am rather amused by how the Scream franchise has hopped from one subject after another during last 26 years. At first, “Scream” (1996) simply made a fun of many of its genre clichés and conventions, and then the franchise … Continue reading →

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