Tag Archives: Crime

Broker (2022) ☆☆☆(3/4): Bringing Up Baby

Posted on June 9, 2022 by kaist455

Hirokazu Kore-eda’s latest film “Broker” is an interesting trial to admire. Like his previous film “The Truth” (2019), the movie attempts to transplant his own style and storytelling to a country outside Japan, and it is mildly engaging to observe … Continue reading →

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Chip ’n Dale: Rescue Rangers (2022) ☆☆1/2(2.5/4): They’re back… with lots of IPs

Posted on May 23, 2022 by kaist455

My mind mildly alternated between nostalgia and annoyance while I watched “Chip ’n Dale: Rescue Rangers”, which was released on Disney+ on last Friday. Because that old Disney TV animation series of the same name has occupied a small but … Continue reading →

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Catch the Fair One (2021) ☆☆☆(3/4): Her grim search for her younger sister

Posted on May 12, 2022 by kaist455

“Catch the Fair One”, which won the Audience Award when it was premiered at the Tribeca Film Festival in last year, is a gritty thriller film mainly driven by its flawed heroine’s determination and desperation. As she boldly delves into … Continue reading →

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Are You Lonesome Tonight? (2021) ☆☆☆(3/4): A humid noir set in Guangzhou, China

Posted on April 25, 2022 by kaist455

Chinese film “Are You Lonesome Tonight?” will haunt you with its gritty noir tale drenched in lots of palpable summer heat and humidity. I must tell you that you may often get quite confused due to its rather convoluted plot … Continue reading →

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The Outfit (2022) ☆☆☆1/2(3.5/4): The Cutter of Chicago

Posted on April 12, 2022 by kaist455

To be frank with you, it is not that easy to describe how much I enjoyed “The Outfit”, a small but undeniably dexterous thriller film which engaged me much more than expected. Because of many of its pleasures come from … Continue reading →

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Windfall (2022) ☆☆1/2(2.5/4): Three people stuck in one place

Posted on March 21, 2022 by kaist455

Netflix film “Windfall”, which was released on last Friday, is a little modest thriller which could be a solid entertainment if it simply trusted its three principle cast members. As well-qualified performers, they do their best with its rather thin … Continue reading →

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The Batman (2022) ☆☆☆(3/4): A very noirish Batman movie

Posted on March 2, 2022 by kaist455

“The Batman” is palpably drenched in sheer darkness and grittiness from the beginning to the end, and I admire and appreciate that even though I have some reservation on its relentlessly grim style and rather sprawling narrative. I am not … Continue reading →

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Lucky Grandma (2019) ☆☆☆(3/4): Can she really be lucky?

Posted on February 15, 2022 by kaist455

“Lucky Grandma” is a little comedy film which also works as an engaging mix of crime thriller and character drama. Mainly revolving around one cantankerous old Chinese lady, the movie delves into its distinctive cultural background as humorously going up … Continue reading →

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Nightmare Alley (2021) ☆☆☆(3/4): A fatalistic neo-noir film by Guillermo del Toro

Posted on February 4, 2022 by kaist455

Guillermo’s del Toro’s latest film “Nightmare Alley” is an admirable genre piece whose strength mainly lies in mood and details rather than the story itself. There are several weak parts in the story which could be improved more in my … Continue reading →

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Mass (2021) ☆☆☆1/2(3.5/4): Four troubled parents in the room

Posted on January 18, 2022 by kaist455

“Mass” is a modest but undeniably compelling drama about four ordinary people struggling to deal with their respective human losses caused by one terrible incident. While it simply observes a series of tense and strained interactions among them, the movie … Continue reading →

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