Category Archives: Movies

A Tour Guide (2023) ☆☆☆(3/4): The loneliness of one North Korean defector

South Korean independent film “A Tour Guide”, which was released as “A Person to Trust” in South Korea, follows the struggles of one North Korean female defector in the middle of the South Korean society. No matter how much she … Continue reading →

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Killers of the Flower Moon (2023) ☆☆☆1/2 (3.5/4): An epic crime drama from Martin Scorsese

Martin Scorsese’s new film “Killers of the Flower Moon”, which was released in South Korean theaters on this Thursday, is a stunningly epic piece of work vividly looking into one massive injustice against a Native American tribe during the early … Continue reading →

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The Exorcist: Believer (2023) ☆☆(2/4): Friedkin Wept

“The Exorcist: Believer”, the latest installment of the series which started with William Friedkin’s “The Exorcist” (1973), did not scare or disturb me at all. While it surely tries to bring some freshness into its utterly familiar genre formula, the … Continue reading →

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Blue Giant (2023) ☆☆☆(3/4): All for Jazz

Japanese animation film “Blue Giant” is simply riveting whenever it conveys to us that ecstatic quality of jazz music performance. Probably because of being singled-minded as its main characters’ artistic pursuit for sublime perfection, the movie often feels a bit … Continue reading →

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The Caine Mutiny Court-Martial (2023) ☆☆☆(3/4): William Freidkin’s last work

Willaim Friedkin’s last film “The Caine Mutiny Court-Martial”, which incidentally came out a few months after his death, is a modest but engaging legal drama to watch. While looking inherently theatrical at times, the movie is also compelling enough to … Continue reading →

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Leap of Faith: William Friedkin on the Exorcist (2019) ☆☆☆(3/4): How he made it

William Friedkin, who sadly left us a few months ago, has always been associated with “The Exorcist” (1973), one of the iconic classic horror films in the 1970s. To be frank with you, I was not so scared when I … Continue reading →

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The Conference (2023) ☆☆☆(3/4): A deadly conference

Swedish Netflix film “The Conference”, which was released a few days ago, is a viciously violent but undeniably amusing at least. Although its setting is derived from many other similar genre films ranging from “Friday the 13th” (1980) to “Severance” … Continue reading →

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The Burial (2023) ☆☆☆(3/4): Two different men against a big corporation

“The Burial”, which was released on Amazon Prime on last Friday, is a modest but engaging drama about the legal battle of two different men who came to stand against a big corporation. While it does not exceed our expectation … Continue reading →

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Vesper (2022) ☆☆☆(3/4): One defiant girl in the middle of a post-apocalyptic world

Post-apocalyptic science fiction tales are dime a dozen, but “Vesper” distinguishes itself via its vividly barren and strange background. Although it is rather modest in terms of scope and production budget, the movie did a fairly good job of filling … Continue reading →

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Benediction (2021) ☆☆☆1/2(3.5/4): The final film by Terence Davies

“Benediction”, which is now the last film by Terence Davies after he died a few days ago, is a melancholic collection of personal memories from a real-life British poet who had a fair share of bitter anger and sadness as … Continue reading →

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