Author Archives: kaist455

Proxima (2019) ☆☆☆(3/4): Before she goes up to the space

French film “Proxima” is a calm and modest character study about one female astronaut trying to deal with a very demanding circumstance. While phlegmatically observing her professional and personal struggles, the movie delicately explores its main subjects including gender roles … Continue reading →

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Greed (2019) ☆☆1/2(2.5/4): A broad satire revolving around one greedy rotten bastard

Some depth and gravitas are usually necessary for an effective satire, but Michael Winterbottom’s “Greed” does not have either of them. While it is occasionally amusing as its greedy rotten hero’s misguided plan for whitewashing his public disgrace is gradually … Continue reading →

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The Glorias (2020) ☆☆☆(3/4): Viewed through her four different selves

Julie Taymor’s new film “The Glorias” explores the life and career of Gloria Steinem, one of the famous figures in the American feminist movement in the late 1960s and early 1970s. Although the overall result occasionally feels sketchy and overlong … Continue reading →

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Black Box (2020) ☆☆☆(3/4): As he regains his memories

“Black Box”, which was released on Amazon Prime a few days ago, entertained me enough as digging a bit into its familiar genre territories. If you have ever watched similar genre pieces like Christopher Nolan’s “Memento” (2000), you will know … Continue reading →

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John Lewis: Good Trouble (2020) ☆☆☆(3/4): A courteous tribute to John Lewis

Documentary film “John Lewis: Good Trouble” is a courteous tribute to US congressman John Lewis, who sadly died shortly after the documentary was released in US three months ago. Although he faced lots of obstacles even during his later years, … Continue reading →

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LA 92 (2017) ☆☆☆1/2(3.5/4): A raw, vivid, and riveting presentation of the 1992 LA riots

Documentary film “LA 92” is a raw, vivid, and riveting presentation of the 1992 LA riots. While entirely consisting of a series of various archival footage clips, the documentary delves deep into the social and historical background of this shocking … Continue reading →

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Dick Johnson Is Dead (2020) ☆☆☆1/2(3.5/4): As he lives dying

Netflix documentary “Dick Johnson Is Dead”, which won the US Documentary Special Jury Award when it was shown at the Sundance Film Festival early in this year, is a funny, sad, and touching personal tribute to remember. While clearly recognizing … Continue reading →

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Vampire vs. the Bronx (2020) ☆☆☆(3/4): Young vampire hunters in Bronx

“Vampire vs. the Bronx”, which was released on Netflix in last week, is as silly and funny as suggested by its very title. While reminiscent of many different vampire horror films ranging from TV miniseries “Salem’s Lot” (1979) to “Fright … Continue reading →

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The Boys in the Band (2020) ☆☆☆(3/4): Boys have issues….

It took some time for me to get accustomed to the broad storytelling approach of “The Boys in the Band”, which was released on Netflix in last week. At first, I thought it was a bit too wild and flamboyant … Continue reading →

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Cameraperson (2016) ☆☆☆1/2(3.5/4): What her camera observed

Kirsten Johnson’s “Cameraperson” was one of several notable documentary films I unfortunately missed in 2016. Although I bought its Criterion blu-ray edition which was released shortly after its modest theatrical release in US, I somehow kept postponing watching it during … Continue reading →

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