Author Archives: kaist455

Moonshot (2022) ☆☆(2/4): As they’re heading to Mars

Posted on April 5, 2022 by kaist455

My demand is not that high when I watch any film which happens to draw my interest, but “Moonshot”, which was released on HBO Max in last week, let me down in more than one way. As a romantic comedy, … Continue reading →

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After Love (2020) ☆☆☆1/2(3.5/4): Two women left behind

Posted on April 4, 2022 by kaist455

“After Love” is a simple but sensitive film about two different women who happen to be involved with each other via the man they both loved deeply. While calmly observing how one approaches the other without telling anything at all, … Continue reading →

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The Blind Man Who Did Not Want to See Titanic (2021) ☆☆☆1/2(3.5/4): But he wants to see it with her right now….

Posted on March 27, 2022 by kaist455

Great Swedish filmmaker Ingmar Bergman once said that human face is the most fascinating subject possible for the camera. That is what came to my mind while I was watching Finnish film “The Blind Man Who Did Not Want to … Continue reading →

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The August Virgin (2019) ☆☆1/2 (2.5/4): Her August in Madrid

Posted on March 26, 2022 by kaist455

Spanish film “The August Virgin”, which happens to be released in South Korean theaters in this week, simply strolls along with its heroine during her summer stay in Madrid, Spain. While it works to some degree as a likable character … Continue reading →

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My Prediction on the 94th Academy Awards

Posted on March 23, 2022 by kaist455

We are approaching the end of the first quarter of 2022, and things have been pretty much same as the COVID-19 pandemic is still dominating over us as usual. Although the situation has been less severe in South Korea compared … Continue reading →

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Days (2020) ☆☆☆(3/4): Those quiet wordless moments

Posted on March 23, 2022 by kaist455

Tsai Ming-liang’s latest feature film “Days”, which won the jury Teddy Award when it was shown at the Berlin International Festival early in 2020, is slowly and patiently observes two different gay persons at its center. While it feels so … Continue reading →

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Zeros and Ones (2021) ☆☆(2/4): A murky and rambling work by Abel Ferrara

Posted on March 23, 2022 by kaist455

I admire how Abel Ferrara have steadily continued his interesting filmmaking career during last 20 years. While he may have passed his prime period after a string of fascinating works he made in US during the 1990s, this distinctive American … Continue reading →

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Marry Me (2022) ☆☆☆(3/4): Her accidental husband

Posted on March 22, 2022 by kaist455

Right from when I watched its trailer a few months ago, I knew what I would get from “Marry Me”, which was released in South Korean theaters in last week. Like another recent romantic comedy film “I Want You Back” … Continue reading →

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Deep Water (2022) ☆☆☆(3/4): A tantalizing comeback work from Adrian Lyne

Posted on March 22, 2022 by kaist455

“Deep Water”, which was released on Amazon Prime in last week, works best when it tantalizingly toys with the suspicion and mistrust surrounding a couple at the center of the story. It is a bit disappointing that the movie comes … Continue reading →

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Black Crab (2022) ☆☆1/2(2.5/4): A risk mission on the ice

Posted on March 21, 2022 by kaist455

Swedish Netflix film “Black Crab”, which was released a few days ago, does not bring anything particularly new to its gritty genre territory, and that was rather disappointing to me when I watched it in one early morning. Although it … Continue reading →

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