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- Toy Story 5 (2026) ☆☆☆1/2(3.5/4): It’s still going well even after three decades
- The Price of Goodbye (2025) ☆☆☆(3/4): A desperate funeral before death
- Remarkably Bright Creatures (2026) ☆☆☆(3/4): Her octopus friend
- Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World) (2026) ☆☆☆(3/4): The story of that legendary band
- Sheep in the Box (2026) ☆☆1/2(2.5/4): A middling AI robot drama by Hirokazu Kore-eda
- Disclosure Day (2026) ☆☆☆1/2(3.5/4): Familiar but masterful nonetheless
- Mel Brooks: The 99 Year Old Man! (2026) ☆☆☆1/2(3.5/4): His life and career full of ups and downs
- Pee-Wee as Himself (2025) ☆☆☆1/2(3.5/4): Reubens behind Pee-Wee
- Afternoons of Solitude (2024) ☆☆☆1/2(3.5/4): The clinical but disturbing presentation of bullfighting
- Masters of the Universe (2026) ☆☆1/2(2.5/4): Mildly goofy and serious
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Monthly Archives: March 2025
It’s Okay! (2023) ☆☆☆(3/4): You will like this girl in the end
South Korean film “It’s Okay!” amused and then touched me with its plucky young heroine. You may wince from time to time as watching how irrepressibly spirited and optimistic she really is, but you will come to root for her … Continue reading
Starlet (2012) ☆☆☆(3/4): Between two very different people
Sean Baker’s 2012 film “Starlet”, which happens to be available in South Korea via a local streaming service, is about the unlikely relationship between two very different people. Although their first encounters are rather awkward to say the least, they … Continue reading
The Royal Tenenbaums (2001) ☆☆☆1/2(3.5/4): Anderson’s early dollhouse play
Revisiting Wes Anderson’s 2001 film “The Royal Tenenbaums”, I was reminded again of how consistent Anderson has been during last several decades. While this movie and many subsequent works of his are basically his own little dollhouse plays, they are … Continue reading
Take Out (2004) ☆☆☆(3/4): One day of a Chinese delivery guy
Sean Baker and Shih-Ching Tsou’s 2004 film “Take Out”, which was released on DVD and Blu-ray by Criterion in US a few years ago, is a modest but engaging immigrant drama which gradually draws you into its plain hero’s one … Continue reading





