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- The Truth vs. Alex Jones (2024) ☆☆☆1/2(3.5/4): The judgment on a vile purveyor of lies
- The Gorals (2025) ☆☆☆(3/4): A modest but charming coming-of-age tale
- What Should We Have Done? (2023) ☆☆☆(3/4): The memories of his schizophrenic sister
- Spider-Man: Brand New Day (2026) ☆☆☆(3/4): Brand Old Familiar Day
- Serpent’s Path (2024) ☆☆1/2(2.5/4): A passable French remake by Kiyoshi Kurosawa
- Serpent’s Path (1998) ☆☆☆(3/4): A darkly twisty revenge thriller
- The Fin (2025) ☆☆☆(3/4): An odd and strange South Korean dystopian film
- Contempt (1963) ☆☆☆(3/4): Until there is nothing but contempt for him
- Dead of Winter (2025) ☆☆☆(3/4): Emma Thompson can also do some action, folks
- The Return (2024) ☆☆1/2(2.5/4): The bitter return of the king
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Daily Archives: February 17, 2024
Jane B. for Agnes V. (1988) ☆☆☆(3/4): When Birkin and Varda played together
Agnès Varda’s 1988 docudrama film “Jane B. for Agnes V.”, which happens to be released in South Korean theaters a few weeks ago, is a charming playtime between its director and Jane Birkin, who also appeared in Varda’s another film … Continue reading
American Fiction (2023) ☆☆☆(3/4): A little mild satire to enjoy
“American Fiction”, which won the People’s Choice Award when it was shown at the Toronto International Film Festival in last year and then garnered five Oscar nominations including the one for Best Picture in last month, is a little mild … Continue reading
Ferrari (2023) ☆☆☆(3/4): Calm and detached just like its hero
Michael Mann’s new film “Ferrari” is calm and detached just like its hero, who builds a wall around whatever he feels and thinks inside as he says at one point in the story. As a sort of antithesis to James … Continue reading





