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- Commission (2025) ☆☆☆(3/4): Drawing for murder
- The Nonsense (2025) ☆☆☆(3/4): Can she believe?
- So Far So Close (2025) ☆☆1/2(2.5/4): The bar looks wonderful at least
- 2035: The Green Light (2025) ☆☆(2/4): An uneven mix between mockumentary and found footage horror
- Abroad (2023) ☆1/2(1.5/4): The vanishing in the middle of nowhere
- Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D (2026) ☆☆☆(3/4): It was wonderful to watch anyway – even in 2D
- Sherlock Jr. (1924) ☆☆☆☆(4/4): A surreal comic masterwork from Buster Keaton
- The Day She Returns (2026) ☆☆☆(3/4): Three interviews and one acting class
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Daily Archives: February 17, 2024
Jane B. for Agnes V. (1988) ☆☆☆(3/4): When Birkin and Varda played together
Agnès Varda’s 1988 docudrama film “Jane B. for Agnes V.”, which happens to be released in South Korean theaters a few weeks ago, is a charming playtime between its director and Jane Birkin, who also appeared in Varda’s another film … Continue reading
American Fiction (2023) ☆☆☆(3/4): A little mild satire to enjoy
“American Fiction”, which won the People’s Choice Award when it was shown at the Toronto International Film Festival in last year and then garnered five Oscar nominations including the one for Best Picture in last month, is a little mild … Continue reading
Ferrari (2023) ☆☆☆(3/4): Calm and detached just like its hero
Michael Mann’s new film “Ferrari” is calm and detached just like its hero, who builds a wall around whatever he feels and thinks inside as he says at one point in the story. As a sort of antithesis to James … Continue reading





