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- Becoming Led Zeppelin (2025) ☆☆☆(3/4): How they became famous
- Cloud (2024) ☆☆☆(3/4): No easy money for young men
- Die My Love (2025) ☆☆☆(3/4): Her downward spiral into postpartum depression
- Hoppers (2026) ☆☆☆1/2(3.5/4): Save the glade
- The Bride! (2026) ☆☆1/2(2.5/4): This bride is wild!
- There’s Still Tomorrow (2023) ☆☆☆(3/4): Her small but significant step toward female independence
- Rental Family (2025) ☆☆☆1/2(3.5/4): A service business of emotion
- 28 Years Later: The Bone Temple (2026) ☆☆☆(3/4): It will give you more hell
- Ne Zha 2 (2025) ☆☆1/2(2.5/4): A spectacular but hollow sequel
- Ne Zha (2019) ☆☆1/2(2.5/4): The story of a demon boy
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The Long Walk (2025) ☆☆☆(3/4): The Last Man Walking
“The Long Walk” is a modest but effective dystopian survival thriller driven by one simple but compelling story premise. Although we can clearly see where it is heading from the very beginning, the movie keeps things rolling before eventually arriving … Continue reading
The Monkey (2025) ☆☆☆(3/4): This is one nasty monkey
“The Monkey”, one of the two films from Osgood Perkins during this year, is a creepy film about one nasty toy monkey and several people who unfortunately happens to get involved with it. As striking us hard with several moments … Continue reading
Souleymane’s Story (2024) ☆☆☆1/2(3.5/4): An immigrant’s story in Paris
French film “Souleymane’s Story” follows the plight of one young immigrant from Guinea. He simply hopes to be allowed to live and work for himself as well as his dear family in Guinea, but his situation becomes quite desperate in … Continue reading
Familiar Touch (2024) ☆☆☆1/2(3.5/4): As her mind declines
“Familial Touch” is a gracefully elegiac drama film which follows the gradual mental decline of its aging heroine. She knows well her mind is fading away, but then there inevitably comes the point where she is often not totally aware … Continue reading
Universal Language (2024) ☆☆☆1/2(3.5/4): A singular cinematic mix
Matthew Rankin’s “Universal Language”, which was selected as the Canadian submission to Best International Film Oscar in last year, is a singular cinematic mix to behold. While clearly influenced by the works of Guy Maddin, Wes Anderson, and Roy Andersson, … Continue reading
Nouvelle Vague (2025) ☆☆☆(3/4): A lightweight reenactment of the Nouvelle Vague era
Richard Linklater’s “Nouvelle Vague”, which was released on Netflix in US several weeks ago, is a lightweight reenactment of how Jean-Luc Godard made one of the greatest films in the cinema history during a few weeks of 1959. While it … Continue reading
If I Had Legs I’d Kick You (2025) ☆☆☆1/2(3.5/4): The raw and intense portrayal of a troubled motherhood
Mary Bronstein’s second feature film “If I Had Legs I’d Kick You” is probably one of the most intensely uncomfortable movie experiences I have ever had during this year. Closely and vividly sticking to the increasingly unstable mindset of one … Continue reading
The Lord of the Rings: The Two Towers (2002) ☆☆☆1/2(3.5/4): The middle of an ambitious trilogy
Peter Jackson’s 2002 film “The Lord of the Rings: The Two Towers”, which is currently being shown in selected South Korean theaters, is an effective middle chapter of its ambitious trilogy. While you will surely need to watch “The Lord … Continue reading
Jay Kelly (2025) ☆☆☆(3/4): A star in middle-life crisis
Noah Baumbach’s latest film “Jay Kelly”, which was briefly shown in theaters before it is released on Netflix in this week, is a humorous story about the middle-life crisis of one big movie star. While it is quite typical in … Continue reading
Sirāt (2025) ☆☆☆1/2(3.5/4): In the middle of a stark existential wasteland
“Sirāt”, which was recently selected as the Spanish submission to Best International Film Oscar, impresses me a lot with its stark existential wasteland. As its few main characters are merely heading to somewhere across that vast and remote wasteland, the … Continue reading
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