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Recent Posts
- Diane Warren: Relentless (2024) ☆☆☆(3/4): Still Relentless as ever
- Top Secret! (1984) ☆☆☆(3/4): A silly but hilariously free-wheeling parody
- Queen of Chess (2026) ☆☆☆(3/4): The story of a trail-blazing female chess player
- Once We Were Us (2025) ☆☆☆(3/4): Looking back at when they were in love
- Flowers of Shanghai (1998) ☆☆☆1/2(3.5/4): Distant but exquisite anyway
- Good Morning (1959) ☆☆☆1/2 (3.5/4): They want a TV…
- Wuthering Heights (2026) ☆☆1/2(2.5/4): A cheeky but ultimately hollow adaptation
- Humint (2026) ☆☆1/2(2.5/4): A slick but bland genre product
- Marty Supreme (2025) ☆☆☆1/2(3.5/4): Timothée Supreme
- Hamnet (2025) ☆☆☆(3/4): Shakespeare in Grief
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Author Archives: kaist455
If I Had Legs I’d Kick You (2025) ☆☆☆1/2(3.5/4): The raw and intense portrayal of a troubled motherhood
Mary Bronstein’s second feature film “If I Had Legs I’d Kick You” is probably one of the most intensely uncomfortable movie experiences I have ever had during this year. Closely and vividly sticking to the increasingly unstable mindset of one … Continue reading
The Lord of the Rings: The Two Towers (2002) ☆☆☆1/2(3.5/4): The middle of an ambitious trilogy
Peter Jackson’s 2002 film “The Lord of the Rings: The Two Towers”, which is currently being shown in selected South Korean theaters, is an effective middle chapter of its ambitious trilogy. While you will surely need to watch “The Lord … Continue reading
Jay Kelly (2025) ☆☆☆(3/4): A star in middle-life crisis
Noah Baumbach’s latest film “Jay Kelly”, which was briefly shown in theaters before it is released on Netflix in this week, is a humorous story about the middle-life crisis of one big movie star. While it is quite typical in … Continue reading
Sirāt (2025) ☆☆☆1/2(3.5/4): In the middle of a stark existential wasteland
“Sirāt”, which was recently selected as the Spanish submission to Best International Film Oscar, impresses me a lot with its stark existential wasteland. As its few main characters are merely heading to somewhere across that vast and remote wasteland, the … Continue reading
Sorry, Baby (2025) ☆☆☆1/2(3.5/4): Before and after what happened to her
During the first 20 minutes of Eva Victor’s first feature film “Sorry, Baby”, I observed that its heroine is living a wonderful academic life which would have been envied by my late mentor/friend Roger Ebert, who could have taught literature … Continue reading
Planes, Trains and Automobiles (1987) ☆☆☆☆(4/4): An enduring Thanksgiving Day classic
As a South Korean who has seldom left his country during last 42 years, I have never experienced Thanksgiving Day for my whole life, but I could not help but amused and touched by John Hughes’ 1987 film “Planes, Trains … Continue reading
The Color of Pomegranates (1969) ☆☆☆(3/4): The life of an Armenian poet
In my humble opinion, a good movie can reach to your heart and mind, no matter how vague and elusive it is in what and how it is about. In case of Sergei Parajanov’s 1969 film “The Color of Pomegranates”, … Continue reading
Kontinental ’25 (2025) ☆☆☆(3/4): A bailiff who cares a lot
Romanian filmmaker Radu Jude’s “Kontinental ’25”, which is one of the two films from him during this year, amused me to some degree. While being relatively less edgy and provocative than his two previous film “Bad Luck Banging or Loony … Continue reading
Kokuho (2025) ☆☆☆(3/4): Becoming a living national treasure
Japanese film “Kokuho”, which was selected as the Japanese entry to Best International Film Oscar at the 2026 Academy Awards, is an ambitious backstage drama to behold. Yes, this is another typical story about that hectic price of artistic achievement … Continue reading
Hallan (2025) ☆☆☆(3/4): A young mother and her little daughter in the Jeju Uprising
South Korean film “Hallan” turns out to be a lot more haunting than I expected at first. Closely following the harrowing survival drama of a young mother and her little daughter in the middle of the Jeju Uprising (1948 ~ … Continue reading
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