Author Archives: kaist455

Seven (1995) ☆☆☆1/2 (3.5/4): A gruesome masterwork by David Fincher

Posted on October 25, 2025 by kaist455

David Fincher’s 1995 film “Seven”, whose 4K remastered version is currently shown in selected theaters in South Korea, is a gruesome but undeniably compelling thriller to admire and appreciate. While it is surely as grim, unpleasant, and disturbing as your … Continue reading →

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My Missing Aunt (2025) ☆☆☆(3/4): Her erased aunt

Posted on October 24, 2025 by kaist455

South Korean independent documentary film “My Missing Aunt” presents a modest but intimate personal story to tell. Looking into how one promising young woman was unjustly erased by her own family, it makes some sharp point on the sexist influence … Continue reading →

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Exit 8 (2025) ☆☆☆(3/4): Trapped in a loop

Posted on October 24, 2025 by kaist455

Japanese film “Exit 8” is simple but effective in its rather limited setting. Based on the 2023 Japanese video game of the same name, the movie follows the desperate struggles of a few figures helplessly trapped in a seemingly endless … Continue reading →

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Good Boy (2025) ☆☆☆(3/4): From a dog’s viewpoint

Posted on October 24, 2025 by kaist455

“Good Boy” is a little genre film which tries something different, and I like that. Mainly driven by the viewpoint of one good dog, the movie unfolds its rather simple horror story step by step, and the growing sense of … Continue reading →

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Frankenstein (2025) ☆☆☆1/2(3.5/4): The Shape of Creation

Posted on October 23, 2025 by kaist455

Guillermo del Toro’s latest film “Frankenstein”, which happens to be released in South Korean theaters before getting released on Netflix a few weeks later, is certainly something he is born to make. After all, he is an undeniably talented filmmaker … Continue reading →

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The World of Love (2025) ☆☆☆1/2(3.5/4): How she is

Posted on October 23, 2025 by kaist455

South Korean film “The World of Love” is simply extraordinary for how it is about as well as what it is about. As gradually and sensitively conveying to us its heroine’s inner struggle along the story, the movie will make … Continue reading →

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She Walks in Darkness (2025) ☆☆☆(3/4): Operating in risky murkiness

Posted on October 20, 2025 by kaist455

Spanish Netflix film “She Walks in Darkness”, which was released in last Friday, is often compelling whenever it focuses on the quiet but intense inner tension surrounding its heroine. While she is willing to put herself into more risk and … Continue reading →

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Mr. Scorsese (2025) ☆☆☆1/2(3.5/4): The portrait of a master filmmaker

Posted on October 20, 2025 by kaist455

Dear Roger Hello, how have you been on the other side during last 12 years? Whenever I came across something really good or interesting, my mind always comes to wish you were here with us as a fellow audience, and … Continue reading →

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Mahjong (1996) ☆☆☆(3/4): A bunch of materialistic lads in Taipei, 1996

Posted on October 19, 2025 by kaist455

Taiwanese filmmaker Edward Yang’s 1996 film “Mahjong”, whose recent 4K restoration version happens to be released in South Korean theaters in this week, is a bleak comedy about a bunch of rather unpleasant lads in Taipei. As phlegmatically but starkly … Continue reading →

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Good News (2025) ☆☆☆(3/4): A South Korean disaster black comedy from Netflix

Posted on October 19, 2025 by kaist455

South Korean Netflix film “Good News”, which was released two days ago, is a disaster black comedy film loosely inspired by a real-life hijacking incident in March 1970. While it is clear from the beginning that most of its story … Continue reading →

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