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- Breathless (1960) ☆☆☆☆(4/4): Still bold and spirited
- My Sunshine (2024) ☆☆☆(3/4): A coming-of-age drama on ice
- Poppoya (1999) ☆☆☆(3/4): The life of a station master
- Good Fortune (2025) ☆☆1/2(2.5/4): The trouble with an angel
- Super Happy Forever (2024) ☆☆1/2(2.5/4): Not much beyond his self-pity
- Father Mother Sister Brother (2025) ☆☆☆1/2(3.5/4): A trio of sublime family dramas from Jim Jarmusch
- The Muppet Christmas Carol (1992) ☆☆☆(3/4): Michael Caine as Scrooge – with the Muppets
- Santosh (2024) ☆☆☆(3/4): Her complicated case
- Vermiglio (2024) ☆☆☆1/2(3.5/4): In a small mountain village
- Tampopo (1985) ☆☆☆1/2(3.5/4): For making a perfect bowl of ramen
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Monthly Archives: January 2025
Dahomey (2024) ☆☆☆1/2(3.5/4): The return of stolen artifacts
Mati Diop’s documentary film “Dahomey”, which won the Golden Bear award when it was premiered at the Berlin International Film Festival early in last year, mainly revolves around a number of stolen artifacts finally returned to their home country. As … Continue reading
Lust, Caution (2007) ☆☆☆(3/4): A spy caught between lust and caution
Ang Lee’s 2007 film “Lust, Caution”, which is currently being shown again in selected South Korean theaters, is a slow but sensual period drama which works best whenever it focuses on the guarded psychology of the two very different main … Continue reading
Heretic (2024) ☆☆☆(3/4): A twisted test on faith
“Heretic” is a modest but effective horror thriller film about religion and faith. Now it may sound solemn and ponderous to you, the movie does a fairly commendable job of balancing itself between humor and suspense, and it will keep … Continue reading
Millennium Mambo (2001) ☆☆☆(3/4): Looking back at her messy life
Hou Hsiao-hsien’s 2001 film “Millennium Mambo”, whose 4K restoration version was released in South Korean theaters on the first day of this year, is an acquired taste for me just like many of Hou’s films, but it somehow engaged me … Continue reading
Armand (2024) ☆☆1/2(2.5/4): At her son’s school
“Armand”, which was selected as the Norwegian entry for Best Internation Film Oscar in last year, attempts a sort of high-wire stunt between the chamber drama films of Ingmar Bergman and the psychological thriller movies of Roman Polanski. While I … Continue reading





