Monthly Archives: November 2022

First Child (2021) ☆☆☆(3/4): As she is cornered into motherhood

Posted on November 13, 2022 by kaist455

South Korean independent film “First Child” often feels like a social horror film. As calmly observing its heroine desperately struggling to balance herself between her career and motherhood, the movie makes some sharp points on how harsh and insensitive the … Continue reading →

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Black Panther: Wakanda Forever (2022) ☆☆☆ (3/4): The ladies carry on

Posted on November 10, 2022 by kaist455

We can only imagine what would follow “Black Panther” (2018) if Chadwick Boseman had not died so early, but I am happy to report that its sequel “Black Panther: Wakanda Forever” is much more than a mere next chapter. Although … Continue reading →

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Wendell & Wild (2022) ☆☆☆(3/4): Henry Selick’s new stop-motion animation film

Posted on November 8, 2022 by kaist455

Animation feature film “Wendell & Wild”, which was released on Netflix a few weeks ago, deserves to be welcomed for a number of good reasons. Henry Selick, who gave us “The Nightmare Before Christmas” (1993) and “James and the Giant … Continue reading →

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The Stranger (2022) ☆☆☆(3/4): As he becomes close to his suspect

Posted on November 7, 2022 by kaist455

Australian Netflix film “The Stranger”, which was released in last month, is a chilly psychological drama which is incidentally based on one true crime story. I have no idea on how much the movie is actually close to its real-life … Continue reading →

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Hot in Day, Cold at Night (2022) ☆☆☆(3/4): Things are not so bad for them…

Posted on November 6, 2022 by kaist455

South Korean independent film “Hot in Day, Cold at Night” is a little modest character drama about one young couple who try to live one day after another despite their apparently difficult economic status. Although it is a bit too … Continue reading →

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Walk Up (2022) ☆☆☆(3/4): Another Hong Sang-soo film of this year

Posted on November 6, 2022 by kaist455

Hong Sang-soo’s latest film “Walk Up”, which is another film of his of this year after “The Novelist’s Film” (2022), exactly gives us what we can expect from him. Like many of his previous films, the movie simply observes a … Continue reading →

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Alcarràs (2022) ☆☆☆1/2 (3.5/4): A summer in their peach orchard

Posted on November 6, 2022 by kaist455

Carla Simón’s latest film “Alcarràs”, which was recently selected as the Spanish entry for Best International Film Oscar, is an intimate family drama mixed with some social commentary. As leisurely rolling along with its various main characters under its vivid … Continue reading →

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The Good Nurse (2022) ☆☆1/2(2.5/4): A clinical true crime story

Posted on November 5, 2022 by kaist455

Tobias Lindholm’s latest film “The Good Nurse”, which was released on Netflix in last month, is rather disappointing despite a considerable number of talents gathered for its production. While its true crime story is often chilling to say the least, … Continue reading →

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All Quiet on the Western Front (2022) ☆☆1/2(2.5/4): All Grim and Intense Here

Posted on November 4, 2022 by kaist455

Netflix film “All Quiet on the Western Front”, which was recently selected as Germany’s submission for Best International Film Oscar, is relentlessly grim, muddy, and intense throughout its 147-minute running time. I surely understand that this is not supposed to … Continue reading →

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